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MARC Record from marc_nuls

Record ID marc_nuls/NULS_PHC_180925.mrc:193741636:2295
Source marc_nuls
Download Link /show-records/marc_nuls/NULS_PHC_180925.mrc:193741636:2295?format=raw

LEADER: 02295nam 2200301Ia 4500
001 9920554640001661
005 20150423130606.0
008 020821s2002 enk q 000 0 eng d
020 $a1903364264
035 $a(CSdNU)u109386-01national_inst
035 $a(OCoLC)50446604
035 $a(Sirsi) 01-AAP-1645
040 $aTEF$cTEF$dOrPss
049 $aCNUM
090 $aPN1996$b.G38 2002
100 1 $aGates, Tudor.
245 10 $aScenario :$bthe craft of screenwriting /$cTudor Gates.
260 $aLondon ;$aNew York :$bWallflower,$cc2002.
300 $a129 p. ;$c20 cm.
490 1 $aShort cuts ;$v12
504 $aFilmography: p. 123-129.
505 0 $aSo you want to be a writer -- What's it all about, Alfie? -- In the beginning was...? -- The General -- The Gold Rush -- Make your argument -- Sound ... and all that jazz -- All Quiet on the Western Front -- Duck Soup -- The play's the thing -- Play it again, Sam -- The Big Sleep -- Bicycle Thieves -- Macbeth and Reservoir Dogs -- The Bridge on the River Kwai -- Rules of Engagement -- The grammar of writing -- On the box -- A memoir -- Starting to write -- It's s Wonderful Life -- The Maltese Falcon -- Character -- Rashomon -- The Seventh Seal -- Recap -- Character again--nothing matters more -- The social background--environment -- Erin Brockovich -- The Third Man -- The necessity of change -- Psycho -- Lawrence of Arabia -- Another memoir -- Orchestrating your characters -- Character--the psychological factors -- Finding your characters -- More about conflict -- The logic of screenwriting -- Dialogue -- 'The British are coming!' (but when?) -- Raging Bull -- Gregory's Girl -- The turning point -- 'And now the end is near' -- Three Colours: Red -- Pulp Fiction -- Sub-text -- A modern screenplay -- Six questions about your screenplay -- Form, lay-out, presentation -- A final recap -- Marketing your script -- The producer -- The director -- The cast -- The agent -- Unions -- The Film Council -- Training.
650 0 $aMotion picture authorship.
650 0 $aScreenwriters.
830 0 $aShort cuts (London, England) ;$v12.
948 $a12/17/2002$b02/06/2003
982 0 $aPN1996$a.G38$a2002
999 $aPN 1996 G38 2002$wLC$c1$i31786101525530$d7/15/2004$f7/15/2004$g1 $lCIRCSTACKS$mNULS$rY$sY$tBOOK$u2/6/2003