| Record ID | marc_nuls/NULS_PHC_180925.mrc:19534251:1559 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:19534251:1559?format=raw |
LEADER: 01559pam 22003254a 4500
001 9919721730001661
005 20150423122409.0
008 010627s2001 caua b 000 0 eng
010 $a 2001042949
020 $a1879505622 (alk. paper)
035 $a(CSdNU)u249497-01national_inst
035 $a(OCoLC)47225020
035 $a(OCoLC)47225020
040 $aDLC$cDLC$dYDX$dUBA$dOrPss
042 $apcc
049 $aCNUM
050 00 $aTR899$b.M87 2001
082 00 $a778.5/35$221
100 1 $aMurch, Walter,$d1943-
245 10 $aIn the blink of an eye :$ba perspective on film editing /$cWalter Murch.
250 $a2nd ed.
260 $aLos Angeles :$bSilman-James Press,$cc2001.
300 $axiv, 146 p. :$bill. ;$c22 cm.
504 $aIncludes bibliographical references.
505 0 $aForeword / Francis Coppola -- Cuts and Shadow Cuts -- Why Do Cuts Work? -- "Cut Out the Bad Bits" -- Most with the Least -- The Rule of Six -- Misdirection -- Seeing Around the Edge of the Frame -- Dreaming in Pairs -- Team Work: Multiple Editors -- The Decisive Moment -- Methods and Machines: Marble and Clay -- Test Screenings: Referred Pain -- Don't Worry, It's Only a Movie -- Dragnet -- A Galaxy of Winking Dots -- Afterword: Digital Film Editing: Past, Present, and Imagined Future.
650 0 $aMotion pictures$xEditing.
650 7 $aMontagem de filmes.$2larpcal
949 $aTR 899 .M87 2001$i31786102274351
994 $a92$bCNU
999 $aTR 899 .M87 2001$wLC$c1$i31786102274351$d7/2/2010$e5/17/2010 $lCIRCSTACKS$mNULS$n8$rY$sY$tBOOK$u7/19/2005