| Record ID | marc_nuls/NULS_PHC_180925.mrc:208337019:1796 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:208337019:1796?format=raw |
LEADER: 01796cam 2200445Ia 4500
001 9919635790001661
005 20161129130504.0
008 060724s2006 enka b 001 0 eng d
020 $a1841509655
020 $a9781841509655
029 1 $aNLGGC$b294275096
029 1 $aYDXCP$b100433705
029 1 $aNZ1$b10916517
035 $a(CSdNU)u362077-01national_inst
035 $a(OCoLC)70679048
035 $a(OCoLC)70679048
035 $a(OCoLC)70679048
040 $aGSU$cGSU$dBAKER$dNLGGC$dYDXCP$dLVB$dCN8ML$dOrLoB-B
049 $aCNUM
050 4 $aPN1996$b.P295 2006
084 $a24.33$2bcl
100 1 $aParker, Philip.
245 14 $aThe art and science of screenwriting /$cPhilip Parker.
246 14 $aArt & science of screenwriting
250 $aPaperback ed.
260 $aBristol, England ;$aPortland Or. :$bIntellect,$c2006.
300 $aiv, 219 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. [214]-215) and index.
505 0 $a1. Creative confusion -- 2. A creative matrix -- 3. Tools of the trade -- 4. Developing a screen idea -- 5. From stories to themes -- 6. Revealing form and plot -- 7. Explorations of genre and style -- 8. The rewrite -- 9. Screen business -- 10. A few final words.
650 0 $aMotion picture authorship.
650 0 $aTelevision authorship.
650 17 $aFilmscenario's.$2gtt
650 6 $aCinema$xArt d'ecrire.
650 6 $aTelevision$xArt d'ecrire.
938 $aYBP Library Services$bYANK$n100433705
938 $aBaker & Taylor$bBKTY$c30.00$d30.00$i1841509655$n0006736036$sactive
947 $fCOLS-MFA$hCIRCSTACKS$p$28.50$q1
949 $aPN 1996 .P295 2006$i31786102588016
994 $a92$bCNU
999 $aPN 1996 .P295 2006$wLC$c1$i31786102588016$lCIRCSTACKS$mNULS$rY$sY $tBOOK$u8/31/2009