| Record ID | marc_nuls/NULS_PHC_180925.mrc:215114832:1644 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:215114832:1644?format=raw |
LEADER: 01644cam 2200325 a 4500
001 9920159700001661
005 20161129133328.0
008 021218s2003 nyua bq 001 0 eng
010 $a 2002156028
015 $aGBA3-X9865
020 $a0826414842 (hardcover : alk. paper)
020 $a0826414850 (pbk. : alk. paper)
029 1 $aUKM$bbA3X9865
035 $a(CSdNU)u167248-01national_inst
035 $a(OCoLC)51266226
040 $aDLC$cDLC$dYDX$dUKM$dVVC
043 $acl-----
049 $aCNUM
050 00 $aPN1993.5.L3$bS53 2003
082 00 $a791.43/75/098$221
100 1 $aShaw, Deborah.
245 10 $aContemporary cinema of Latin America :$bten key films /$cDeborah Shaw.
260 $aNew York :$bContinuum,$c2003.
300 $aix, 206 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. 191-200), filmography (p. 187-189), and indexes.
505 0 $aTomas Gutierrez Alea's changing images of the revolution: from Memories of underdevelopment to Strawberry and chocolate -- Seducing the public: images of Mexico in Like water for chocolate and Amores perros -- Searching the past for the future: Justiniano's Amnesia and Larrain's The frontier -- Representing inequalities: The voyage by Fernando Solanas and I the worst of all by Maria Luisa Bemberg -- National identity and the family in Pixote by Hector Babenco and Central station by Walter Salles.
650 0 $aMotion pictures$zLatin America.
949 $aPN 1993.5.L3 S53 2003$i31786101595558
994 $a92$bCNU
999 $aPN 1993.5.L3 S53 2003$wLC$c1$i31786101595558$d7/19/2004$f7/19/2004$g1 $lCIRCSTACKS$mNULS$rY$sY$tBOOK$u8/22/2003