| Record ID | marc_nuls/NULS_PHC_180925.mrc:219773195:1483 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:219773195:1483?format=raw |
LEADER: 01483cam 22003374a 4500
001 9922074960001661
005 20181119120511.0
008 991230s2000 nyuab b 001 0 eng
010 $a 99069985
020 $a0500203350
035 $a(CSdNU)u95003-01national_inst
035 $a(Sirsi) l99069985
035 $a(Sirsi) l99069985
035 $a(Sirsi) 01-AAL-7027
035 $a 99069985
040 $aDLC$cDLC$dDLC$dOrPss
042 $apcc
043 $ae-fr---
050 4 $aND547.5.I4$bT483 2000
100 1 $aThomson, Belinda.
245 10 $aImpressionism :$borigins, practice, reception /$cBelinda Thomson.
260 $aNew York, N.Y. :$bThames & Hudson,$c2000.
300 $a272 p. :$bill. (some col.), map ;$c21 cm.
440 0 $aWorld of art
504 $aIncludes bibliographical references (p. 262-264) and index.
505 0 $aOrigins -- Setting the Scene -- The Artists of the Batignolles -- Personalities and Family Histories -- Towards Impressionism -- Practice and Reception -- The Exhibitions and Their Critical Reception -- The Impressionist Subject -- Questions of Style -- The Impressionists and the Art Market -- The End of Impressionism and Its Legacy.
650 0 $aImpressionism (Art)$zFrance.
650 0 $aPainting, French.
650 0 $aPainting, French$y19th century.
948 $a07/13/2001$b07/19/2001
999 $aND 547.5 I4 T483 2000$wLC$c1$i31786101463930$d6/9/2005$e5/17/2005$f8/2/2004$g1$lCIRCSTACKS$mNULS$n4$rY$sY$tBOOK$u7/19/2001