| Record ID | marc_nuls/NULS_PHC_180925.mrc:257238180:1592 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:257238180:1592?format=raw |
LEADER: 01592cam 2200301 a 4500
001 9921874570001661
005 20150423141258.0
008 970109s1997 maua b 001 0 eng
010 $a 97004016
020 $a0674634284 (cloth : alk. paper)
020 $a0674634292 (pbk. : alk. paper)
035 $a(CSdNU)u67715-01national_inst
035 $a(OCoLC)36498830
035 $a(Sirsi) 01-AAH-2322
040 $aDLC$cDLC
049 $aCNUM
050 00 $aPN1995$b.B6174 1997
100 1 $aBordwell, David.
245 10 $aOn the history of film style /$cDavid Bordwell.
260 $aCambridge, Mass. :$bHarvard University Press,$c1997.
300 $ax, 322 p. :$bill. ;$c25 cm.
504 $aIncludes bibliographical references and index.
505 0 $aThe way movies look: the significance of stylstic history -- Defending and defining the seventh art: the standard version of stylistic history -- Againts the seventh art: Andre Bazin and the dialectical program -- The return of modernism: Noel Burch and the oppositional program -- Prospects for progress: recent research programs -- Exceptionally exact perceptions: on staging in depth.
650 0 $aMotion pictures$xAesthetics.
650 0 $aMotion pictures$xHistoriography.
948 $a10/13/1999$b10/13/1999
999 $aPN 1995 B6174 1997$wLC$c1$i31786101079785$d7/19/2004$f7/19/2004$g1 $lCIRCSTACKS$mNULS$rY$sY$tBOOK$u12/14/1998$o.STAFF. Pieces: 00001
999 $aPN 1995 B6174 1997$wLC$c2$i31786101053483$d5/18/2007$e4/19/2007 $f7/19/2004$g1$lCIRCSTACKS$mNULS$n3$rY$sY$tBOOK$u9/22/1998$o.STAFF. Pieces: 00001