| Record ID | marc_nuls/NULS_PHC_180925.mrc:262556042:1778 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:262556042:1778?format=raw |
LEADER: 01778cam 2200289 a 4500
001 9919383620001661
005 20150423120049.0
008 961104s1997 enka b 001 0 eng
010 $a 96047927
020 $a0521583594 (hardcover)
020 $a0521586704 (pbk.)
035 $a(CSdNU)u66343-01national_inst
035 $a(OCoLC)35886590
035 $a(Sirsi) 01-AAH-0884
040 $aDLC$cDLC
049 $aCNUM
050 00 $aPN1998.3.H87$bB76 1997
100 1 $aBrill, Lesley,$d1943-
245 10 $aJohn Huston's filmmaking /$cLesley Brill.
260 $aCambridge ;$aNew York :$bCambridge University Press,$c1997.
300 $axii, 269 p. :$bill. ;$c24 cm.
440 0 $aCambridge studies in film
504 $aIncludes bibliographical references (p. 261-263) and index.
505 0 $a"What we are alone is not enough". The Treasure of the Sierra Madre (1948) -- The Man Who Would Be King (1975) -- Hustonian themes in an atypical genre: The African Queen (1951) -- "Are they ready to go home?". The Misfits (1961) and the idea of John Huston's Films -- "No betrayal of despair": The Night of the Iguana (1964) -- Let There Be Light (1964, released 1980) -- "Trying to account for themselves". Heaven knows, Mr. Allison (1957) -- Theater, identity, and reality in The Maltese Falcon (1941) -- Reflections in a Golden Eye (1967) -- The heart of the problem. Freud (1961) -- Fat City (1972): "Maybe we're all happy" -- Huston's adieux. The Dead (1987) -- An Open Book (1980): "Sufficiently absurd".
600 10 $aHuston, John,$d1906-1987$xCriticism and interpretation.
948 $a10/13/1999$b10/13/1999
999 $aPN 1998.3 H87 B76 1997$wLC$c1$i31786101033402$d7/23/2008$e6/18/2008 $f7/15/2004$g1$lCIRCSTACKS$mNULS$n2$rY$sY$tBOOK$u8/17/1998$o.STAFF. Pieces: 00001