MARC Record from marc_nuls

LEADER: 02537cam 2200421 i 4500
001 9925312908501661
005 20180515184156.0
008 171114t20182018azua b 001 0 eng c
010 $a 2017042857
020 $a9780816537242$q(paperback ;$qalkaline paper)
020 $a0816537240$q(paperback ;$qalkaline paper)
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035 $a40028156874
035 $a(OCoLC)1010625961
035 $a(OCoLC)on1010625961
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043 $an-us---
050 00 $aPN1992.8.H54$bM65 2018
082 00 $a791.45/652968073$223
100 1 $aMolina-Guzma n, Isabel,$eauthor.
245 10 $aLatinas and Latinos on TV :$bcolorblind comedy in the post-racial network era /$cIsabel Molina-Guzma n.
246 34 $aLatinas & Latinos on TV
264 1 $aTucson, Arizona :$bThe University of Arizona Press,$c2018.
264 4 $c℗♭2018
300 $axiii, 136 pages :$billustrations ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aLatinx pop culture
504 $aIncludes bibliographical references (pages 123-132) and index.
505 0 $aIntroduction : Latina/os, hipster racism, and post-racial TV -- Scrubs(ing) the beginnings of post-racial TV -- Hipster racism comes to colorblind TV -- Reading against the post-racial TV Latina -- Conclusion : post-racial past and colorblind futures on TV.
520 $aInterweaving discussions about the ethnic, racial, and linguistic representations of Latinas/os within network television comedies, Isabel Molina-Guzma n probes published interviews with producers and textual examples from hit programs like Modern Family, The Office, and Scrubs to understand how these primetime sitcoms communicate difference in the United States. Understanding the complex ways that audiences interpret these programs, Molina-Guzma n situates her analysis within the Obama era, a period when ethnicity and race became increasingly grounded in hipster racism, and argues that despite increased inclusion, the feel-good imperative of TV comedies still inevitably leaves racism, sexism, and homophobia uncontested--back cover.
650 0 $aHispanic Americans on television.
650 0 $aSituation comedies (Television programs)$zUnited States.
830 0 $aLatinx pop culture.
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