MARC Record from marc_nuls

LEADER: 04121cam 22003134a 4500
001 9922324120001661
005 20150423143253.0
008 990325s2000 caua b 001 0 eng
010 $a 99026895
020 $a0767411862
035 $a(CSdNU)u259113-01national_inst
035 $a(OCoLC)41090833
035 $a(OCoLC)41090833
040 $aDLC$cDLC$dCNU$dOrPss
042 $apcc
049 $aCNUM
050 00 $aTR642$b.B365 2000
082 00 $a770/.1$221
100 1 $aBarrett, Terry,$d1945-
245 10 $aCriticizing photographs :$ban introduction to understanding images / $cTerry Barrett.
250 $a3rd ed.
260 $aMountain View, Calif. :$bMayfield Pub. Co.,$cc2000.
300 $axiii, 222 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. 183-204) and index.
505 0 $aAbout Art Criticism -- Defining Criticism -- Sources of Criticism -- Kinds of Criticism -- The Backgrounds of Critics -- Stances Toward Criticism -- Relations Between Critics and Artists -- Criticizing Criticism -- The Value of Criticism -- Describing Photographs -- Defining Description -- Descriptions of Avedon's "In the American West" -- Describing Subject Matter -- Describing Form -- Describing Medium -- Describing Style -- Comparing and Contrasting -- Internal and External Sources of Information -- Description and Interpretation -- Description and Evaluation -- The Importance of Description to Readers -- Interpreting Photographs -- Defining Interpretation -- The Objects of Interpretations -- Interpretive Claims and Arguments -- Interpretive Perspectives -- Three Interpretations of Eleanor -- Other Interpretive Strategies -- Combinations of Interpretive Approaches -- "Right" Interpretations -- Interpretations and the Artist's Intent -- Interpretations and Feelings -- Interpretation, Meaning, and Personal Significance -- The Community of Interpreters -- Types of Photographs -- Categories of Photographs -- New Categories -- Descriptive Photographs -- Fxplanatory Photographs -- Interpretive Photographs -- Ethically Evaluative Photographs -- Aesthetically Evaluative Photographs -- Theoretical Photographs -- Photographs and Contexts -- Internal Context -- Original Context -- External Context -- External Contexts and Connotations -- Interpreting Barbara Kruger's Untitled ("Surveillance"), with Contextual Information -- "Surveillance" and Internal Context -- "Surveillance" and Original Context -- "Surveillance" and External Context -- Barbara Kruger's Untitled ("Surveillance"), and the Categories -- Descriptive Photographs -- Explanatory Photographs -- Interpretive Photographs -- Ethically Evaluative PHotographs -- Aesthetically Evaluative Photographs -- Theoretical Photographs -- The Interpretive Process: A Summary -- Evaluating Photographs -- Examples of Judgments -- Judgments and Reasons -- Judgments and Criteria -- Different Criteria -- Realism -- Expressionism -- Formalism -- Instrumentalism -- Other Criteria -- Choosing Among Criteria -- Differing Judgments -- Judgments Are Arguments -- Reappraisals -- Judgments and Preferences -- Intentionalism and Judgments -- The Objects of Judgments -- Judgments of Robert Mapplethorpe's Photographs -- Hilton Kramer's and Grace Glueck's Views of Mapplethorpe's Work -- Other Critics' Views of Mapplethorpe's Work -- Theory: Is It Art? -- Aesthetic Theory -- Theories and Critics -- Theories and Photographers -- Theories and Historians -- Theories and Curators -- A Survey of Theoretical Positions -- Realism and Conventionalism -- Modernism and Postmodernism -- Marxist Theory and Criticism -- Feminist Theory and Criticism -- Writing and Talking About Photographs -- Writing About Photographs -- Observing the Work and Taking Notes -- An Interpretive Paper -- An Evaluative Paper -- The Process of Writing -- Talking About Photographs -- Discussions of Art in the Presence of the Artist -- Studio Critiques.
650 0 $aPhotography, Artistic.
650 0 $aPhotographic criticism.
994 $aC0$bCNU
999 $aTR 642 .B365 2000$wLC$c1$i31786101989777$d3/7/2011$lCIRCSTACKS$mNULS $q1$rY$sY$tBOOK$u11/16/2005