| Record ID | marc_nuls/NULS_PHC_180925.mrc:276820883:1952 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:276820883:1952?format=raw |
LEADER: 01952cam 22004098a 4500
001 9919848260001661
005 20150423123123.0
008 120319s2012 njua b 001 0 eng
010 $a 2012009920
020 $a9780813554495 (hardcover : alk. paper)
020 $a0813554497 (hardcover : alk. paper)
020 $a9780813554488 (pbk. : alk. paper)
020 $a0813554489 (pbk. : alk. paper)
020 $a9780813554501 (e-book)
020 $a0813554500 (e-book)
035 $a(CSdNU)u511551-01national_inst
035 $a(OCoLC)781432327
035 $a(OCoLC)781432327
040 $aDLC$beng$cDLC$dBTCTA$dERASA$dOCLCO$dBDX$dYDXCP$dNYP
042 $apcc
049 $aCNUM
050 00 $aPN1996$b.F4553 2012
082 00 $a791.43/657$223
100 1 $aFischer, Lucy.
245 10 $aBody double :$bthe author incarnate in the cinema /$cLucy Fischer.
260 $aNew Brunswick, N.J. :$bRutgers University Press,$cc2012.
300 $aix, 273 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references, filmography (p. 243-246), and index.
505 0 $aIntroduction: the screen author wanted: dead or alive -- Typecasting the author -- Beyond adaptation: the writer as filmmaker -- The author at the dream factory: the screenwriter and the movies -- The authoress: textuality as sexuality -- Writing pain: the infirm author -- Word and image -- Corpus and oeuvre: authorship and the body -- Stealing beauty: the reader, the critic, and the appropriation of the authorial voice -- Afterword: Signs and meaning in the cinema.
650 0 $aMotion picture authorship.
650 0 $aAuteur theory (Motion pictures)
650 0 $aMotion pictures and literature.
650 0 $aAuthors in motion pictures.
947 $fHUMANITIES$hCIRCSTACKS$p$24.65$q1
949 $aPN1996 .F4553 2012$i31786102810147
994 $a92$bCNU
999 $aPN 1996 .F4553 2012$wLC$c1$i31786102810147$lCIRCSTACKS$mNULS$rY$sY $tBOOK$u2/11/2013