| Record ID | marc_nuls/NULS_PHC_180925.mrc:27735823:3505 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:27735823:3505?format=raw |
LEADER: 03505cam 22005054a 4500
001 9922800280001661
005 20161129163658.0
008 030924s2004 ctua bc 001 0 eng
010 $a 2003020937
020 $a0300102690 (cloth : alk. paper)
020 $a0890901244 (pbk. : alk. paper)
029 1 $aNLGGC$b256921482
035 $a(CSdNU)u281007-01national_inst
035 $a(OCoLC)53099013
035 $a(OCoLC)53099013
040 $aDLC$cDLC$dYDX$dSYB$dCCS$dBAKER$dNLGGC
041 1 $aeng$hspa
042 $apcc
043 $acl-----
049 $aCNUM
050 00 $aN6502.5$b.R3613 2004
082 00 $a700/.411/098$222
084 $a20.54$2bcl
100 1 $aRamirez, Mari Carmen,$d1955-
240 10 $aHeterotopias.$lEnglish
245 10 $aInverted utopias :$bavant-garde art in Latin America /$cMari Carmen Ramirez, Hector Olea.
246 30 $aAvant-garde art in Latin America
260 $aNew Haven ; London :$bYale University Press,$c2004.
300 $axvii, 586 p. :$bill. (some col.) ;$c30 cm.
500 $a"In association with the Museum of Fine Arts, Houston."
504 $aIncludes bibliographical references and index.
505 00 $gTHE CHANGING CONSTELLATIONS --$tA highly topical Utopia: some outstanding features of the Avant-Garde in Latin America /$rMari Carmen Ramirez --$gUNIVERSAL AND VERNACULAR --$tAnthropophagic Utopia: barbarian metaphysics /$rBenedito Nunes --$tXul's innermost experience: the verbivocovisual presentiment /$rHector Olea --$tInversions: the school of the south /$rMari Carmen Ramiez --$gPLAY AND GRIEF --$tOf terrorism in the arts / $rAngel Rama --$tPosh art and post-historic art: Argentina (1957-1965) / $rMarcelo Pacheco --$tThe anti-aesthetics of an art of chaos /$rHector Olea -- $tFurniture as frame /$rMarta Traba --$gPROGRESSION AND RUPTURE --$tVital structures: the constructive nexus in South America /$rMari Carmen Ramirez -- $tThe ruptura Group and Concrete art /$rAna Maria Belluzzo --$gVIBRATIONAL AND STATIONARY --$tThe vertical screen /$rOlivier Debroise --$tNeither here nor there /$rAriel Jimenez --$tGego and the analytic context of Cinetismo /$rLuis Perez Oramas --$gTOUCH AND GAZE --$tJulio Le Parc, promoter of technological art /$rSaul Yurkievich --$tThe hand and the glove /$rPaulo Herkenhoff --$tTo return earth unot the earth: a paradox of containment /$rGuy Brett --$gCRYPTIC AND COMMITTED --$tOn the subject of Waldemar Cordeiro's popcretos /$rMax Bense --$tThe critical painting of Jose? Balmes /$rJusto Pastor Mellado --$tLeon Ferrari: from the drawing of texts to the texture of poetry /$rMector Olea -- $tTactics for thriving on adversity: conceptualism in Latin America, 1960-80 / $rMari Carmen Ramirez --$gDOCUMENTS --$tVersions, inversions, subversions: the artist as theoretician /$rHector Olea.
650 0 $aArt, Latin American$y20th century$vExhibitions.
650 0 $aAvant-garde (Aesthetics)$zLatin America$xHistory$y20th century $vExhibitions.
650 17 $aAvant-garde.$2gtt
650 17 $aKunst.$2gtt
651 7 $a7.$2gtt
700 1 $aOlea, Hector.
710 2 $aMuseum of Fine Arts, Houston.
938 $aBaker & Taylor$bBKTY$c75.00$d56.25$i0300102690$n0004331425$sactive
938 $aBaker & Taylor$bBKTY$c59.95$d64.90$i0890901244$n0004331426$sactive
947 $fCOLS-LIT$hCIRCSTACKS$p$68.94$q1
949 $aN 6502.5 .R3613 2004$i31786102297030
994 $a92$bCNU
999 $aN 6502.5 .R3613 2004$wLC$c1$i31786102297030$lCIRCSTACKS$mNULS$rY$sY $tBOOK$u9/12/2006