MARC Record from marc_nuls

LEADER: 07716cam 22003974a 4500
001 9920593740001661
005 20150423130728.0
008 051024s2007 caua b 001 0 eng
010 $a 2005936240
019 $a71334554
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020 $a9780495050346 (pbk.)
020 $a0534562914 (pbk.)
020 $a9780534562915 (pbk.)
020 $a0495189286
020 $a9780495189282
035 $a(CSdNU)u302927-01national_inst
035 $a(OCoLC)70659640
035 $a(OCoLC)70659640
035 $a(OCoLC)70659640$z(OCoLC)71334554
040 $aDLC$cDLC$dVDB$dYDXCP$dSISPL$dBAKER$dBTCTA$dCNU$dOrLoB-B
049 $aCNUM
050 00 $aTR860$b.G76 2007
082 00 $a778.5/3$222
100 1 $aGross, Lynne S.
245 10 $aDigital moviemaking /$cLynne S. Gross, Larry W. Ward.
250 $a6th ed.
260 $aBelmont, CA :$bThomson/Wadsworth,$cc2007.
300 $axi, 272 p. :$bill. (some col.) ;$c28 cm.
440 0 $aWadsworth series in broadcast and production
504 $aIncludes bibliographical references and index.
505 0 $aChapter 1. Overview of Moviemaking -- Cast and Crew -- Producing -- Writing -- Directing -- Acting -- Production Design -- Picture Creation -- Sound -- Editing -- Special and Visual Effects -- Other -- The Production Process -- The Traditional Film Production Model -- The Changing Nature of the Production Process -- Chapter 2. Planning the Movie -- Finding and Financing the Right Script -- Breaking Down the Script -- Scheduling -- Shooting Schedules -- Stripboards -- Production Schedules -- Call Sheets -- Other -- Budgeting -- Budgeting Procedures -- Budgeting a Student Production -- Casting -- Hiring Behind-the-Scenes Personnel -- Finding Locations -- Designing and Constructing Sets -- Designing Costumes, Wardrobe, Makeup, and Hairstyling -- Obtaining Props -- Developing Effects -- Planning Sound -- Acquiring and Checking Equipment -- Obtaining Rights -- Arranging for Travel and Food -- Buying Insurance -- Chapter 3. Cameras -- Aspect Ratio -- Formats -- Film Formats -- Analog Video Formats -- Digital Video Formats -- High-Definition Video Formats -- Technical Considerations -- Resolution -- Compression -- Color Sampling -- Bit Depth -- Recording Media -- Film Stock -- Video Recording Media -- Camera Construction -- Film Cameras -- Video Cameras -- Time Code -- Viewers -- Basic Camera Features -- Power -- Recording Controls -- Menus -- Color Rendition -- Gain -- Shutter Speed -- Other Features -- Lenses -- Focal Length -- Focus -- Aperture -- Depth of Field -- Camera Supports -- Handheld Cameras -- Tripods -- Dollies and Cranes -- Care of Equipment -- Chapter 4. Approaches to Image Capturing -- Shot Determination -- Basic Shots -- Subjective Shots -- Lens Selection -- Focal Length Characteristics -- Depth of Field -- Camera Angle -- Composing within the Static Frame -- Manipulating the Mise-en-Scene -- Balance -- Creating Depth -- On-Screen/Off-Screen Space -- The Edge of the Frame -- The Moving Frame -- Camera Movements -- Zooming -- Time -- Shooting Multi-Camera -- Color and Tonality -- Black and White or Color -- Color Considerations -- Shooting to Edit -- Methods of Shooting Scenes -- Shot Duration -- Shooting for Continuity -- Shooting for Visual Effects -- Now That You Know the Rules ... -- Chapter 5. Lighting -- Measuring the Light -- Incident Meters -- Reflected Light Meters -- Spot Meters -- Getting Correct Exposure -- Problems with Automatic Metering Systems -- Footcandles, F-Stops, and EI -- Contrast Range -- Using a Monitor to Help Evaluate Exposure -- Using a Waveform Monitor to Evaluate Exposure -- The Color of Light -- The Electromagnetic Spectrum -- The Klevin Scale -- Tungsten and Daylight-Balanced Light -- Small-Scale Color Corrections -- The Vectorscope -- Filters for Light Intensity and Contrast -- Mounting Filters -- Lighting Instruments -- Lamps -- Classification of Lights -- Mounting Equipment -- Controlling Light -- Electric Power Requirements -- Lighting Safety -- Chapter 6. Approaches to Lighting -- Lighting Styles -- Basic Three-Point Lighting -- Comparison of Lighting for Film, SDTV, and HDTV -- Preparing to Light -- Outdoor Lighting -- Contrast Reduction -- Maintaining Continuity in Changing Light -- Shooting at Night -- Adapting to Weather Conditions -- Indoor Lighting -- Shooting in Available Light and Low Light -- Bounce Lighting -- Mixed Lighting -- Lighting for Movement -- Lighting for Multiple Cameras -- Lighting for Visual Effects -- Variations in Lighting -- Chapter 7. Microphones and Recorders -- The Nature of Sound -- Pitch and Frequency -- Loudness and Amplitude -- Timbre -- Duration -- Velocity -- Microphones: Characteristics and Placement Techniques -- Directionality -- Construction -- Positioning -- Cables and Connectors -- Balanced and Unbalanced Cables -- Connector Types -- Recorders -- Double System and Single System Sound Recording -- Types of Recorders -- Recording Methods -- Features of Sound Recorders -- Audio Mixers -- Care of Audio Equipment -- Chapter 8. Approaches to Sound Recording -- Elements of Microphone Pickup -- Presence -- Balance -- Continuity -- Eliminating Unwanted Noises -- Miking Dialogue -- Selecting the Mic -- Setting Up the Mics -- Special Dialogue Situations -- Miking Automatic Dialogue Replacement -- Miking Voice-Overs -- Miking Sound Effects -- Miking Foley -- Miking Ambient Sounds -- Miking Music -- Recording Techniques -- Chapter 9. Directing -- The Roles of the Director -- Working with the Script -- Working with the Producer and the Writer -- Working with a Crew -- Hiring Crew -- Handling Crew -- Auditioning Actors -- The Process -- Rehearsing -- Early Rehearsing -- Ways to Improve Rehearsals -- Shooting -- A Typical Pattern -- Dailies -- Editing -- Chapter 10. Editing -- Making Material Computer Ready -- Film -- Analog Video -- Digital Video -- Setting Up the Computer -- Logging -- Capturing -- Cutting Clips Together -- Windows -- The Assembly Process -- Fine Tuning -- Managing Audio -- Adding Graphics -- Creating Visual Effects -- Adding Transitions -- Useful Tools -- Outputting the Project -- Building a DVD -- Chapter 11. Approaches to Editing -- Editing Styles -- The Classical Hollywood Pattern -- Variations -- Editing Elements -- Continuity -- Shot Selection -- Shot Relationships -- Screen Direction -- Cutting Points -- Rhythm -- Time and Space -- Transitions -- Chapter 12. Enhanced Sound and Picture -- Music -- Sound Effects and Ambient Sounds -- Foley -- ADR and VO -- Building Sound -- Sweetening -- Positioning -- Mixing -- Graphics -- Visual Effects -- Types of Visual Effects -- The Process for Creating Computerized Visual Effects -- Filter Effects -- Color Correction -- Compositing -- The Digital Intermediate -- Chapter 13. Approaches to Enhanced Sound and Picture -- Functions of Sound -- Supplying Information -- Enhancing Reality and Fantasy -- Establishing Time, Place, and Character -- Creating Mood and Emotion -- Directing Attention -- Functions of Picture -- Supplying Information -- Enhancing Reality and Fantasy -- Establishing Time, Place, and Character -- Creating Mood and Emotion -- Directing Attention -- Relating Sound and Picture to Each Other -- Chapter 14. The Final Stages of Moviemaking -- Transferring Back to Film -- Negative Cutting -- Using a Digital Intermediate -- Laboratory Work -- Film Projection -- Digital Cinema -- Video Distribution -- Netcasting -- Festivals -- Other Possibilities.
650 0 $aDigital cinematography.
700 1 $aWard, Larry Wayne.
994 $aC0$bCNU
999 $aTR 860 .G76 2007$wLC$c1$i31786102500508$d8/20/2009$e8/20/2009 $lCIRCSTACKS$mNULS$n7$rY$sY$tBOOK$u8/29/2007