| Record ID | marc_nuls/NULS_PHC_180925.mrc:282444307:1470 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:282444307:1470?format=raw |
LEADER: 01470cam 2200325 a 4500
001 9921361670001661
005 20150423134337.0
008 971027s1998 ilu b s001 0 eng
010 $a 97043376
020 $a0809321807 (cloth : alk. paper)
035 $a(CSdNU)u75818-01national_inst
035 $a(OCoLC)97043376
035 $a(Sirsi) 01-AAI-1107
040 $aDLC$cDLC$dDLC
043 $an-us---
050 00 $aPS228.B6$bS755 1998
100 1 $aSterritt, David.
245 10 $aMad to be saved :$bthe Beats, the '50s, and film /$cDavid Sterritt.
260 $aCarbondale :$bSouthern Illinois University Press,$cc1998.
300 $axii, 258 p. ;$c24 cm.
504 $aIncludes bibliographical references (p. 223-249) and index.
505 0 $aHistorical contexts -- Theoretical frameworks -- Social criticism -- Beats, films, and liminality -- Heading underground.
650 0 $aBeat generation.
650 0 $aMotion pictures and literature$zUnited States$xHistory$y20th century.
650 0 $aLiterature and society$zUnited States$xHistory$y20th century.
650 0 $aAmerican literature$y20th century$xHistory and criticism.
650 0 $aExperimental films$zUnited States$xHistory and criticism.
650 0 $aMotion pictures$zUnited States$xHistory and criticism.
948 $a10/13/1999$b10/13/1999
999 $aPS 228 .B6 S755 1998$wLC$c1$i31786101139589$d5/1/2012$f7/14/2004$g1 $lCIRCSTACKS$mNULS$n2$q2$rY$sY$tBOOK$u6/30/1999$o.STAFF. Pieces: 00001