| Record ID | marc_nuls/NULS_PHC_180925.mrc:286327087:1270 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:286327087:1270?format=raw |
LEADER: 01270cam 2200241z 4500
001 9921315710001661
005 20150423134152.0
008 990415s1999 enk eng d
020 $a0851707181 (hbk)
020 $a0851707173 (pbk)
035 $a(CSdNU)u78337-01national_inst
035 $a(OCoLC)90035296
035 $a(Sirsi) 01-AAI-4203
040 $aNhCcYBP$cNhCcYBP
050 4 $aPN1995$b.A48 1999
100 1 $aAltman, Rick.
245 00 $aFilm/genre.
260 $aLondon :$bBFI Pub.,$c1999.
300 $ax, 246 p. ;$c24 cm.
505 0a $aWhat's at stake in the history of literary genre theory? -- What is generally understood by the notion of film genre? -- Where do genres come from -- Are genres stable? -- Are genres subject to redefinition? -- Where are genres located? -- How are genres used ? -- Why are genres sometimes mixed ? -- What role do genres play in the viewing process? -- What communicaton model is approprate for genres ? -- Have genres and genre functions changed over time? -- What can genres teach us about nations?.
650 0 $aFilm genres.
948 $a10/13/1999$b03/03/2000
999 $aPN 1995 .A48 1999$wLC$c1$i31786101186796$d3/17/2011$e1/2/2006 $f7/19/2004$g1$lCIRCSTACKS$mNULS$n4$q1$rY$sY$tBOOK$u6/23/1999$o.STAFF. Pieces: 00001