| Record ID | marc_nuls/NULS_PHC_180925.mrc:298535089:1478 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:298535089:1478?format=raw |
LEADER: 01478cam 2200325 a 4500
001 9919790570001661
005 20150423122815.0
008 991221s1999 enka b 001 0 eng c
010 $agb 99081549
015 $aGB99-81549
020 $a0192842331 (pbk)
020 $a0192100467 (hbk)
035 $a(CSdNU)u84420-01national_inst
035 $a(OCoLC)43297439
035 $a(Sirsi) 01-AAJ-1695
040 $aZCU$cZCU$dIXA$dWY@$dOrPss
042 $apcc
050 4 $aN8213$b.A63 1999
100 1 $aAndrews, Malcolm.
245 10 $aLandscape and western art /$cMalcolm Andrews.
260 $aOxford ;$aNew York :$bOxford University Press,$c1999.
300 $avii, 248 p. :$bill. (some col.) ;$c24 cm.
440 0 $aOxford history of art
504 $aIncludes bibliographical references (p. 224-242) and index
505 0 $aLand into Landscape -- Subject or Setting?: Landscape and Renaissance Painting -- Landscape as Amenity -- Topography and the Beau Ideal -- Framing the View -- 'Astonished beyond Expression': Landscape, the Sublime, and the Unpresentable -- Landscape and Politics -- Nature as Picture or Process? -- Landscape into Land: Earth Works, Art, and Environment.
650 0 $aLandscape in art$xHistory.
650 0 $aLandscape$xPhilosophy.
650 0 $aNature (Aesthetics)$xHistory.
948 $a05/23/2000$b05/23/2000
999 $aN 8213 A63 1999$wLC$c1$i31786101235056$d12/23/2005$e12/9/2005 $f8/3/2004$g1$lCIRCSTACKS$mNULS$n1$rY$sY$tBOOK$u5/23/2000