| Record ID | marc_nuls/NULS_PHC_180925.mrc:302814976:2104 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:302814976:2104?format=raw |
LEADER: 02104cam 2200445 a 4500
001 9922270740001661
005 20150423143035.0
008 070522s2007 ncua b 001 0 eng
010 $a 2007021235
020 $a9780822340591 (alk. paper)
020 $a0822340593 (alk. paper)
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020 $a0822340801 (pbk. : alk. paper)
035 $a(CSdNU)u319004-01national_inst
035 $a(OCoLC)134992230
035 $a(OCoLC)134992230
035 $a(OCoLC)134992230
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050 00 $aML3524$b.P43 2007
082 00 $a781.642/09$222
100 1 $aPecknold, Diane.
245 14 $aThe selling sound :$bthe rise of the country music industry /$cDiane Pecknold.
260 $aDurham :$bDuke University Press,$c2007.
300 $ax, 294 p. :$bill. ;$c24 cm.
440 0 $aRefiguring American music
504 $aIncludes bibliographical references (p. [273]-286) and index.
505 0 $aCommercialism and the cultural value of country music, 1920-1947 -- Country music becomes mass culture, 1940-1958 -- Country audiences and the politics of mass culture, 1947-1960 -- Masses to classes : the Country Music Association and the development of country format radio, 1958-1972 -- Commercialism and tradition, 1958-1970 -- Silent majorities : the country audience as commodity, constituency, and metaphor, 1961-1975.
650 0 $aCountry music$xHistory and criticism.
650 0 $aMusic trade$zUnited States.
650 0 $aCountry music$xSocial aspects.
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938 $aBaker and Taylor$bBTCP$nBK0007292768
938 $aYBP Library Services$bYANK$n2562299
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994 $a92$bCNU
999 $aML 3524 .P43 2007$wLC$c1$i31786102233175$d7/19/2010$e7/8/2010 $lCIRCSTACKS$mNULS$n1$rY$sY$tBOOK$u1/29/2008