Record ID | marc_nuls/NULS_PHC_180925.mrc:303507959:1635 |
Source | marc_nuls |
Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:303507959:1635?format=raw |
LEADER: 01635cam 2200313Ia 4500
001 9922211820001661
005 20150423142813.0
008 081225s2009 nyua b 001 0 eng d
020 $a9780230574595 (hbk. )
020 $a0230574599 (hbk. )
035 $a(CSdNU)u354013-01national_inst
035 $a(OCoLC)294885541
035 $a(OCoLC)294885541
035 $a(OCoLC)294885541
040 $aBTCTA$cBTCTA$dUKM$dYDXCP$dBWK$dBWX$dOCLCQ$dOrLoB-B
049 $aCNUM
050 4 $aPN1995$b.P36 2009
082 04 $a791.4301$222
100 1 $aPamerleau, William C.
245 10 $aExistentialist cinema /$cWilliam C. Pamerleau.
260 $aNew York :$bPalgrave Macmillan,$c2009.
300 $aix, 244 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references and index.
505 0 $aPt. I. Setting the Stage: Theoretical Issues -- 1. Existentialism: An Overview of Important -- 2. Film as a Tool for Philosophical Investigations -- 3. Film Realism and Narrative Identity -- Pt. II. Meaningful Movies -- 4. Antonioni: Meaninglessness and the Modern World -- 5. Religiosity in the Films of Ingmar Bergman -- 6. Rethinking Raskolnikov: Exploring Contemporary Ethical Challenges in the Films of Woody Allen -- 7. Authenticity in the Films of Federico Fellini -- 8. The Nietszchean Free Spirit in Dead Poets Society and Harold and Maude.
650 0 $aMotion pictures$xPhilosophy.
650 0 $aExistentialism in motion pictures.
650 0 $aMotion pictures$xHistory.
994 $aC0$bCNU
999 $aPN 1995 .P36 2009$wLC$c1$i31786102371785$d9/10/2013$e9/10/2013 $kCHECKEDOUT$lCIRCSTACKS$mNULS$n6$rM$sY$tBOOK$u5/26/2009