MARC Record from marc_nuls

LEADER: 03914cam 2200529 i 4500
001 9925309687101661
005 20180417120409.2
008 150708t20162016ncua b 001 0 eng c
010 $a 2015026281
019 $a908374973$a976562477$a979834143
020 $a9780822360223$q(hardcover ;$qacid-free paper)
020 $a0822360225$q(hardcover ;$qacid-free paper)
020 $a9780822360391$q(pbk. ;$qacid-free paper)
020 $a082236039X$q(pbk. ;$qacid-free paper)
020 $z9780822374824$q(e-book)
020 $a082237482X
020 $a9780822374824
035 $a99976345850
035 $a(OCoLC)937449089$z(OCoLC)908374973$z(OCoLC)976562477$z(OCoLC)979834143
035 $a(OCoLC)ocn937449089
040 $aNcD/DLC$beng$erda$cNDD$dDLC$dBTCTA$dBDX$dYDXCP$dOCLCF$dCDX$dWVU$dPUL$dWAU$dCHVBK$dGZM$dIDB$dOCLCO$dOCLCA$dVP@$dZLM$dOCLCQ$dUEJ$dCRC$dERL
041 1 $aeng$hfre
042 $apcc
050 00 $aQC225.7$b.C4513 2016
066 $cZsym
082 00 $a152.1/5$223
100 1 $aChion, Michel,$d1947-$eauthor.
240 10 $aSon.$lEnglish
245 10 $aSound :$ban acoulogical treatise /$cMichel Chion ; translated and with an introduction by James A. Steintrager.
264 1 $aDurham :$bDuke University Press,$c2016.
300 $axxvi, 283 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"Originally published as: Le son : traite<U+00cc><U+0081> d'acoulogie: Armand Colin, 2e e<U+00cc><U+0081>dition, 2010."
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: Closed grooves, open ears / James A. Steintrager -- Preface to the French edition of 2010 -- Listening awakes -- The ear -- Sound and time -- Voice, language, and sounds -- Noise and music : a legitimate distinction? -- The sound that you cause : ergo-audition -- Sound and its cause : causal listening and figurative listening -- Sound and what it causes : real and supposed effects -- How technology has changed sound -- The audiovisual couple in film : audio-vision -- Object and non-object : two poles -- Between doing and listening : naming.
520 $a"First published in French in 1998, revised in 2010, and appearing here in English for the first time, Michel Chion's Sound addresses the philosophical, interpretive, and practical questions that inform our encounters with sound. Chion considers how cultural institutions privilege some sounds above others and how spurious distinctions between noise and sound guide the ways we hear and value certain sounds. He critiques the tenacious tendency to understand sounds in relation to their sources and advocates "acousmatic" listening--listening without visual access to a sound's cause--to disentangle ourselves from auditory habits and prejudices. Yet sound can no more be reduced to mere perceptual phenomena than encapsulated in the sciences of acoustics and physiology. As Chion reminds us and explores in depth, a wide range of linguistic, sensory, cultural, institutional, and media- and technologically-specific factors interact with and shape sonic experiences. Interrogating these interactions, Chion stimulates us to think about how we might open our ears to new sounds, become more nuanced and informed listeners, and more fully understand the links between how we hear and what we do."--Publisher's description.
546 $aTranslated from the French.
650 0 $aHearing.
650 0 $aSound$xRecording and reproducing.
650 0 $aMusic$xAcoustics and physics.
700 1 $aSteintrager, James A.,$d1965-$etranslator,$ewriter of introduction.
880 4 $6264-00$c�2016
880 $6500-00$a"Originally published as: Le son : trait�e d'acoulogie: Armand Colin, 2e �edition, 2010."
947 $hCIRCSTACKS$r31786103115819
980 $a99976345850