MARC Record from marc_nuls

LEADER: 07859nam 2200361Ia 4500
001 9922552370001661
005 20150423144313.0
008 131013s2007 ne a 001 0 eng
020 $a9780240807973 (pbk.)
020 $a0240807979 (pbk.)
035 $a(CSdNU)u295336-01national_inst
035 $a(OCoLC)80331789
035 $a(OCoLC)80331789
035 $a(OCoLC)80331789
040 $aUKM$cUKM$dBAKER$dOrLoB-B
049 $aCNUM
050 14 $aTR895 $b .M44 2002
082 04 $a778.5$222
100 1 $aMedoff, Norman J.
245 10 $aPortable video :$bENG & EFP / $c Norman J. Medoff, Edward J. Fink, Tom Tanquary.
250 $a5th ed.
260 $aAmsterdam ; $a Boston :$b Elsevier Focal Press,$c c2007.
300 $axxi, 401 p. : $b ill. ; $c 28 cm.
500 $aPrevious ed.: 2001.
500 $aIncludes index.
505 0 $a1. Introduction -- ENG and EFP: The World of Professional Video -- Electronic News Gathering: Capturing the Event -- A Brief History -- TV News Videography Today -- Electronic Field Production: Video Production on Location -- Birth of an Industry -- Video Production Today: The Process -- 2. Electronic News Gathering Style -- Part 1. Recorded Coverage -- Spot News -- General News -- Feature News -- Sports News -- Part 2. Live Coverage -- Getting the Picture Out -- Communications -- Interrupted Feedback -- Form and Style -- Electronic Field Production -- What Can Go Wrong? -- 3. Electronic Field Production Style -- Corporate and Professional Videos -- Corporate News Show -- Instruction, Training, and Demonstration -- Teleconferencing -- Sales, Promotion, and Motivation -- Entertainment -- Commercials and Public Service Announcements -- Commercials -- Public Service Announcements -- Budgets -- Performance Videos -- Historical Archive -- Sports Videos -- Competition Coverage -- Skycam -- Feature Coverage -- Music Videos -- Variety of Settings -- Style and Technique -- Nature and Documentary Videos -- Video Art -- Multimedia -- Internet -- World Wide Web -- Vlogging -- Podcasts -- Mobile TV -- 4. Framing and Composition-The Language of Video -- Identifying the Storyline -- Part 1. Framing-The Range of Shots -- Shots by Perspective -- Camera Action Shots -- Special-Use Shots -- Part 2. Composition-Aesthetic Considerations -- Creating the Third Dimension -- Effects of Focal Length -- Distance -- Balancing the Picture -- Composing Specific Shots -- Following the Action -- Breaking the Rules -- 5. Scriptwriting -- Electronic News Gathering -- W5H and the Inverted Pyramid -- Writing to the Visuals -- Writing Interviews -- Writing Style -- Electronic Field Production -- Target Audience -- Format -- Style -- Central Visual Theme -- Research -- Treatment -- Script -- Review and Revision -- Storyboard -- Editing Script -- Story Structure -- 6. Preproduction and Production -- Part 1. Preproduction -- Electronic News Gathering -- Electronic Field Production -- Production Crew -- Scheduling and Coordinating -- Location Selection and Survey -- Graphics and Props Preparation -- Clearance on Copyright Materials -- Travel Planning -- Part 2. Production/Shooting on Location -- ENG versus EFP -- Setting Up -- Sound and Light -- Location Integrity -- Maintaining Control -- Backup Plans -- Security -- Dealing with the Public -- Checklists -- Recording -- Rehearsing -- Shooting (and Reshooting) -- Wrapping Up -- 7. Postproduction: Editing It All Together -- Part 1. Technical Editing Basics -- Log -- Edit Decision List -- Capture -- Import -- Trim -- Sequence -- Layer -- Effects -- Mix -- Render -- Distribute -- Technical Concepts -- Part 2. Creative Editing Basics -- Sequencing the Shots -- Maintaining Continuity -- Establishing a Story Line -- Pacing -- Adding Postproduction Value -- Editing Sound -- 8. Video -- Light, Lenses, Cameras, and Recorders -- Video: The Process of Image Acquisition -- Principles of Lens Operation -- Lens Components -- Video Cameras -- Camera Basics -- Camera Functions -- Video Recorders -- The Format Wars -- Older Formats: Hi8, S-VHS, and 3/4-Inch SP -- Standard Analog Videocassette Formats: Beta SP and MII -- Digital Formats: D Series, Digital Betacam, Betacam SX, DV, DVCAM, DVCPRO, and Digital S -- Digital Video Recorders -- Time Code -- Typical Control Functions -- Typical Inputs -- Typical Outputs -- Onboard Decks -- Meters -- Warning Lights -- Time Base Correctors -- Maintenance -- Troubleshooting -- Batteries -- Recharging -- Life Span -- Proper Care -- Tripods and Camera-Mounting Devices -- Fluid Heads -- Tripod Legs -- Dollies -- Cranes and Booms -- Steadicam -- Car Mounts -- Aerial Mounts -- Special Mounts -- Miniature Cameras -- 9. Audio -- Microphone Structure -- Microphones and Audio-Recording Techniques -- Dynamic Microphones -- Condenser Elements -- Sensitivity -- Sound Sensitivity -- Directional Sensitivity -- Frequency Response -- Impedance -- Microphone Impedance -- Overload -- Other Factors -- Selection and Placement -- Choosing a Mic -- Placing a Mic -- Style -- Handheld Microphones -- Mounted Microphones -- Lavaliere Microphones -- Special Applications -- Performance Microphones -- Multiple-Application Microphones -- Headset Microphones -- Surface-Mount and Pressure-Zone Microphones -- Wireless Microphones -- Accessories -- Mounts -- Acoustic Filters and Windscreens -- Audio Cables and Connectors -- Balanced and Unbalanced Lines -- Connectors and Adapters -- Signal Loss in Audio Cable -- Phase -- Filters and Pads -- Handheld Microphones -- Camera-Mounted Microphones -- Boom Microphones -- Lavaliere Microphones -- Wireless Microphones -- Monitoring, Mic Pre's, Mixing, and Stereo -- Monitoring -- Microphone Preamplifiers -- Mixing -- Stereo -- 10. Light: Understanding and Controlling It -- Part 1. The Physical Properties of Light -- What Is Light? -- The Color of Light -- The Direction and Size of a Light Source -- The Quantity of Light -- Part 2. Creating Light -- Light Emitters -- Lighting Equipment -- Part 3. Basic Lighting Technique -- The Starting Point: Exposure -- The Art of Casting Shadows -- Basic Theory -- Formal Lighting -- Natural Lighting -- Light as an Editorial Tool -- 11. Budgeting and Pricing -- ENG and EFP -- Electronic News Gathering -- Electronic Field Production -- Creating an Accurate Budget -- Line Costs -- Budgeting for Smaller Projects -- Budget Tracking -- Computer Assistance -- EFP Pricing Formula -- Entry into the Video Marketplace -- Leasing -- Using the Web for Video -- Being Realistic -- 12. Laws, Ethics, Copyrights, and Insurance -- Defamation: Libel and Slander -- Privacy versus the Right to Know -- ENG: News Productions -- EFP: Non-News Productions -- Copyrights -- Violations -- Fair Use Rules -- Piracy -- Exclusivity -- Bugs -- Courtesies -- Pool -- Public Domain Materials -- Copyright Guidelines for the Web -- Protecting Your Work -- Obtaining Protection -- Alerting Others of Protection -- Insurance -- Comprehensive Liability -- Equipment Loss or Damage -- Rental Floaters -- Restrictions -- Other Coverage -- Errors and Omissions -- Workers' Compensation -- Completion Guarantee Bond -- Producers' Insurance Policies -- 13. New Trends and Technologies -- Format Wars -- Buying Equipment -- Cameras -- Monitors -- Speakers -- Digital TV -- High-Definition TV -- Streaming Video -- A Cautionary Note -- Periodicals and Web Sites -- Format Guidelines for Screenplays -- Format Guidelines for Two-Column Scripts -- How to Format a Two-Column Script in Microsoft Word Using the "Tables" Tool -- Storyboards -- Analog Tape-to-Tape Video Editing.
650 0 $aVideo recording.
650 0 $aCinematography.
700 1 $aFink, Edward J.$q(Edward John)
947 $fSOMC-COM$hCIRCSTACKS$p$47.45$q1
949 $i31786102108278
994 $a92$bCNU
999 $aTR 895 .M44 2002$wLC$c1$i31786102108278$lCIRCSTACKS$mNULS$rY$sY$tBOOK $u4/9/2007