MARC Record from marc_nuls

LEADER: 04085pam 2200397Ia 4500
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008 070719s2007 oncabf b 001 0 eng
016 $a20079042880
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020 $a0802097618 (bound)
020 $a9780802095206 (pbk.)
020 $a0802095208 (pbk.)
035 $a(CSdNU)u322394-01national_inst
035 $a(OCoLC)159897532
035 $a(OCoLC)159897532
035 $a(OCoLC)159897532
040 $aNLC$beng$cNLC$dYDXCP$dBTCTA$dBAKER$dCNU$dOrLoB-B
043 $ae-it---
049 $aCNUM
050 14 $aPN1993.5.I88$bW34 2007
082 0 $a791.430945$222
100 1 $aWagstaff, Christopher,$d1946-
245 10 $aItalian neorealist cinema :$ban aesthetic approach /$cChristopher Wagstaff.
260 $aToronto :$bUniversity of Toronto Press,$cc2007.
300 $aix, 504 p., [16] p. of plates :$bill., map ;$c24 cm.
440 0 $aToronto Italian studies
504 $aIncludes bibliographical references (p. [473]-492) and index.
505 0 $a1. Overview -- The Italian Cinema Industry -- The Cultural Context -- Films: Production and Screenwriting -- The Pro-filmic -- The Institution of Neorealism -- 2. Realism -- Aesthetics -- Reference -- Narrative -- Genre -- Idealism -- Realism -- Cesare Zavattini -- Rhetoric -- A Note on Comedy -- 3. Roma citta aperta -- Photography -- Lighting -- Sound -- Mise en scene -- Performers -- Costume -- The Narrative: Story and Plot -- Dramaturgy: Analysis of the Episode of the Shooting of Pina -- Roma citta aperta and Neorealism -- 4. Paisa -- The Rome Episode -- The Sicily Episode -- The Monastery Episode -- The Naples Episode -- The Florence Episode -- The Po delta Episode -- Concluding Remarks on Paisa -- 5. Ladri di biciclette -- Locations -- Performers and Costume -- Narrative -- Analysis of Sequences -- 1. A standard introduction to neorealism -- 2. Historical background for neorealism -- 3. Statistics of the Italian film industry -- 4. Categories of cinema in Italy, 1953 -- 5. Number of tickets sold at cinema box offices in provincial capitals and in the rest of the provinces, 1947-1955 -- 6. Length (in days) of opening runs in cinemas in major Italian cities of neorealist films and Catene -- 7. Statistics of days of cinema showing, tickets sold, and box-office receipts in Italy, 1936-1960 -- 8. Established film production companies in Italy, 1945-1953 -- 9. Italian film production, 1945-1953 -- 10. Directors of neorealist films, 1945-1953 -- 11. Writers of neorealist films, 1945-1953 -- 12. Directors of photography on neorealist films -- 13. Production arrangements and costs for five core neorealist films -- 14. Italian public's reception of different categories of Italian films produced 1945-1953, and subsequently released 1945-1956 -- 15. Fifty-five 'neorealist' films -- 16. Filmographic details of Roma citta aperta, Paisa, and Ladri di biciclette -- 17. Average shot length, pre-neorealism and neorealism -- 18. Average shot length, neorealist films -- 19. Average shot length, neorealist films of De Sica, Rossellini, Visconti, Antonioni -- 20. Scale (closeness) of shot comparison, Roma citta aperta and other films (1) -- 21. Scale of shot comparison, Roma citta aperta and other films (2) -- 22. Scale of shot comparison, Roma citta aperta and other films (3) -- 23. Map of settings and locations for Paisa -- 24. Average shot length for different sections of Paisa -- 25. Scale of shot, Paisa - Po delta episode -- 26. Tammurriata nera -- 27. Map of locations for Ladri di biciclette -- Plates 1-33, stills from Ladri di bicicleite, follow page 348.
600 10 $aRossellini, Roberto,$d1906-1977$xCriticism and interpretation.
600 10 $aDe Sica, Vittorio,$d1901-1974$xCriticism and interpretation.
650 0 $aMotion pictures$zItaly$xAesthetics.
650 0 $aMotion pictures$zItaly$xHistory.
650 0 $aRealism in motion pictures.
994 $aC0$bCNU
999 $aPN 1993.5 .I88 W34 2007$wLC$c1$i31786102236145$d2/8/2010$e1/19/2010 $lCIRCSTACKS$mNULS$n1$rY$sY$tBOOK$u3/5/2008