MARC Record from marc_nuls

LEADER: 03218cam 2200325Ia 4500
001 9919222100001661
005 20150423114750.0
008 081006s2009 enkab b s000 0 eng d
020 $a9780861966967
020 $a0861966961
035 $a(CSdNU)u378507-01national_inst
035 $a(OCoLC)261177329
035 $a(OCoLC)261177329
035 $a(OCoLC)261177329
040 $aBTCTA$cBTCTA$dYDXCP$dBWK$dBWX$dCTN$dOCLCQ$dUAT$dSUC
049 $aCNUM
050 4 $aPN1993.5.A1$bF56 2009
082 0 $a808.823
245 00 $aFilm 1900 :$btechnology, perception, culture /$cedited by Annemone Ligensa and Klaus Kreimeier.
260 $aEngland :$bJohn Libbey ;$aBloomington, IN :$bDistributed in North America by Indiana University Press,$cc2009.
300 $avi, 250 p. :$bill., maps ;$c23 cm.
504 $aIncludes bibliographical references.
505 0 $aIntroduction: Triangulating a turn: film 1900 as technology, perception and culture / Annemone Ligensa -- Archaeologies of interactivity: early cinema, narrative and spectatorship / Thomas Elsaesser -- Viewing change, changing views: the 'history of vision'-debate / Frank Kessler -- The ambimodernity of early cinema: problems and paradoxes in the film-and-modernity discourse / Ben Singer -- Mind the gap: the discovery of physiological time / Henning Schmidgen -- 'Is everything relative?' : cinema and the revolution of knowledge around 1900 / Harro Segeberg -- The aesthetic idealist as efficiency engineer: Hugo Mü nsterberg's theories of perception, psychotechnics and cinema / Jö rg Schweinitz -- Between observation and spectatorship: medicine, movies and mass culture in imperial Germany / Scott Curtis -- The scene of the crime: psychiatric discourses on the film audience in early twentieth century German / Andreas Killen -- Seen through the eyes of Simmel: the cinema programme as a 'modern' experience / Andrea Haller -- 'Under the sign of the cinematograph': urban mobility and cinema location in Wilhelmine Berlin / Pelle Snickars -- Perceptual environments for films: the development of cinema in Germany, 1895-1914 / Joseph Garncarz -- 'Fumbling towards some new form of art?': the changing composition of film programmes in Britain, 1908-1914 / Ian Christie and John Sedgwick -- The attraction of motion: modern representation and the image of movement / Tom Gunning -- 'Dashing down upon the audience': notes on the genesis of filmic perception / Klaus Kreimeier -- German Tonbilder of the 1900s: advanced technology and national brand / Martin Loiperdinger -- Sculpting with light: early film style, stereoscopic vision and the idea of a 'plastic art in motion' / Michael Wedel -- 'A cinematograph of feminine thought': The dangerous age, cinema and modern women / Annemone Ligensa -- Cinema as a mode(l) of perception: Dorothy Richardson's novels and essays / Nicola Glaubitz.
650 0 $aMotion pictures$xHistory$y20th century.
700 1 $aKreimeier, Klaus.
700 1 $aLigensa, Annemone.
947 $fCOLS-LIT$hCIRCSTACKS$p$23.7$q1
949 $aPN1993.5.A1 F56 2009$i31786102599120
994 $a92$bCNU
999 $aPN 1993.5 .A1 F56 2009$wLC$c1$i31786102599120$lCIRCSTACKS$mNULS$rY$sY $tBOOK$u11/25/2009