Record ID | marc_nuls/NULS_PHC_180925.mrc:331657200:3046 |
Source | marc_nuls |
Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:331657200:3046?format=raw |
LEADER: 03046cam 2200373Ia 4500
001 9924130890001661
005 20150423150728.0
008 131127s2012 nyua b 000 0 eng d
010 $a2012949827
019 $a778422566$a820362483
020 $a9780865478930 (hbk.)
020 $a0865478937 (hbk.)
020 $a9780865478022 (pbk.)
020 $a0865478023 (pbk.)
035 $a(OCoLC)818359780
035 $a(OCoLC)ocn818359780
040 $aSINLB$beng$cSINLB$dOCLCO$dBTCTA$dBDX$dYDXCP$dB@L$dBWX$dFOLLT$dOBE$dVP@$dFDA$dM$K$dCDX$dVRC$dCUS
049 $aCNUM
050 4 $aZ40$b.H46 2012
082 04 $a652/.1$223
100 1 $aHensher, Philip,$eauthor.
245 14 $aThe missing ink :$bthe lost art of handwriting /$cPhilip Hensher.
250 $a1st American ed.
260 $aNew York :$bFaber and Faber,$c2012.
300 $a270 pages :$billustrations ;$c23 cm.
500 $aOriginally published: London : Macmillan, 2012.
504 $aIncludes bibliographical references (pages 265-267).
505 0 $aWitness -- Introduction -- There's nothing wrong with my handwriting, they just need to pay someone who can read it -- A history of handwriting, from string onwards -- What's my handwriting like? -- Witness -- Out of the billiard halls, courtesy of copperplate -- Vere Foster and A.N. Palmer -- Dickens -- Print and manuscript and ball and stick -- 'Une question de writing' -- Witness -- Hitler's handwriting -- Preparing the boys for death : the invention of italic -- Witness -- Ink -- Witness -- Pens -- Marion Richardson -- Reading your mind -- Witness -- Vitativeness -- Not being able to read : Proust -- Hire me, Siegmund -- Witness -- Biros and not-biros -- Witness -- My italic nightmare -- What is to be done?
520 $aWhen Philip Hensher realized that he didn't know what one of his closest friend's handwriting looked like, he felt that something essential was missing from their friendship. It dawned on him that, having abandoned fountain pens for keyboards, we have lost one of the ways by which we come to recognize and know another person. The Missing Ink tells the story of this endangered art. Hensher reflects on what handwriting can tell us about personality and personal history: are your own letters neat and controlled or messy and inconsistent? Did you shape your penmanship in worshipful imitation of a popular girl at school, or do you still use the cursive you were initiated into in the second grade? Hensher guides us through Arabic calligraphy and the story of the nineteenth-century handwriting evangelists who traveled across America to convert the masses to the moral worth of copperplate; he pays tribute to the warmth and personality of a handwritten note. With the teaching of handwriting now required in only five states, and many expert typists barely able to hold a pen, the future of handwriting is in jeopardy. Or is it?
650 0 $aWriting$xHistory.
650 0 $aPenmanship.
947 $fHUMANITIES$hBOOK$p$14.25$q1
949 $i31786102956767
994 $a92$bCNU