| Record ID | marc_nuls/NULS_PHC_180925.mrc:335380410:1401 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:335380410:1401?format=raw |
LEADER: 01401cam 2200301 a 4500
001 9919942340001661
005 20150423123632.0
008 960321s1997 enkab b 001 0 eng
010 $a 96014765
015 $aGB97-35551
020 $a0521563844
035 $a(CSdNU)u60797-01national_inst
035 $a(OCoLC)34513129
035 $a(Sirsi) 01-AAG-4995
040 $aDLC$cDLC$dC#P$dUKM
043 $an-us---
049 $aCNUM
050 00 $aPS332$b.S64 1997
100 1 $aSmith, Susan Harris.
245 10 $aAmerican drama :$bthe bastard art /$cSusan Harris Smith.
260 $aCambridge ;$aNew York :$bCambridge University Press,$c1997.
300 $avi, 248 p. :$bill., map ;$c24 cm.
440 0 $aCambridge studies in American theatre and drama
504 $aIncludes bibliographical references (p. 208-231) and index.
505 0 $aThe problem of American drama -- Generic hegemony: the exclusion of American drama -- No corner in her own house: what is American about American drama? -- Did she jump or was she pushed? American drama in the university curriculum -- Caught in the close embrace: sociology and realism -- Beyond hegemony and canonicity.
650 0 $aAmerican drama$xHistory and criticism.
948 $a10/13/1999$b10/13/1999
999 $aPS 332 S64 1997$wLC$c1$i31786100885331$d7/14/2004$f7/14/2004$g1 $lCIRCSTACKS$mNULS$n2$rY$sY$tBOOK$u6/23/1997$o.STAFF. Pieces: 00001