MARC Record from marc_nuls

LEADER: 04115cam 2200469Ii 4500
001 9925247083901661
005 20160723041519.6
008 150820t20162016nyu b 000 e eng d
019 $a948572880
020 $a9780765386236$q(hardcover)
020 $a0765386232$q(hardcover)
020 $a9780765386243$q(trade paperback)
020 $a0765386240$q(trade paperback)
020 $z9780765386250$q(e-book)
035 $a99968815984
035 $a(OCoLC)918994542$z(OCoLC)948572880
035 $a(OCoLC)ocn918994542
040 $aYDXCP$beng$erda$cYDXCP$dBTCTA$dBDX$dOCLCQ$dOEI$dCGP$dCPL$dOCLCO$dCPL$dOCLCO$dCDX$dGK8$dOCLCF$dCOO$dOCLCO$dOCL$dVP@$dUAB
050 4 $aPS3608.U769$bA6 2016
082 04 $a814/.6$223
100 1 $aHurley, Kameron,$eauthor.
240 10 $aEssays.$kSelections
245 14 $aThe geek feminist revolution /$cKameron Hurley.
250 $aFirst edition.
264 1 $aNew York :$bTor, a Tom Doherty Associates Book,$c2016.
264 4 $c℗♭2016
300 $a286 pages ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"A Tom Doherty Associates book."
520 $a"The book collects dozens of Hurley's essays on feminism, geek culture, and her experiences and insights as a genre writer, including "We Have Always Fought," which won the 2013 Hugo for Best Related Work. The Geek Feminist Revolution will also feature several entirely new essays written specifically for this volume."--Amazon.com.
504 $aIncludes bibliographical references (pages 277-284).
505 00 $gIntroduction :$tWelcome to the revolution --$tPersistence, and the long con of being a successful writer --$tI'll make pancakes : on opting in, and out, of the writing game --$tWhat marketing and advertising taught me about the value of failure --$tTaking responsibility for writing problematic stories --$tUnpacking the "real writers have talent" myth --$tSome men are more monstrous then others : on True detective's men and monsters --$tDie hard, hetaerae, and problematic pin-ups : a rant --$tWives, warlords, and refugees : the people economy of Mad Max --$tTea, bodies, and business : remaking the hero archetype --$tA complexity of desires : expectations of sex and sexuality in science fiction --$tWhat's so scary about strong female protagonists, anyway? --$tIn defense of unlikable women --$tWomen and gentlemen : on unmasking the sobering reality of hyper-masculine characters --$tGender, family, nookie : the speculative frontier --$tThe increasingly poor economics of penning problematic stories --$tMaking people care : storytelling in fiction vs. marketing --$tOur dystopia : imagining more hopeful futures --$tWhere have all the women gone? Reclaiming the future of fiction --$tFinding hope in tragedy : why I read dark fiction --$tPublic speaking while fat --$tThey'll come for you ... whether you speak up or not --$tThe horror novel you'll never have to live : surviving without health insurance --$tBecoming what you hate --$tLet it go : on responding (or not) to online criticism --$tWhen the rebel becomes queen : changing broken systems from the inside --$tTerrorist or revolutionary? Deciding who gets to write history --$tGiving up the sky --$tWhat we didn't see : power, protest, story --$tWhat living in South Africa taught me about being white in America --$tIt's about ethics in dating --$tHijacking the Hugo Awards --$tDear SFWA writers : let's chat about censorship and bullying --$tWith great power comes great responsibility : on empathy and the power of privilege --$tRage doesn't exist in a vacuum --$tWhy I'm not afraid of the Internet --$tWe have always fought : challenging the "women, cattle, and slaves" narrative --$gEpilogue :$tWhat are we fighting for?
650 0 $aFeminism.
650 0 $aScience fiction$xWomen authors$xHistory and criticism.
650 0 $aWomen and literature.
650 0 $aGeeks (Computer enthusiasts)
650 0 $aWomen in popular culture.
650 0 $aSubculture.
947 $hCIRCSTACKS$r31786103038136
980 $a99968815984