MARC Record from marc_nuls

LEADER: 03181cam 2200493 i 4500
001 9920292500001661
005 20150423125311.0
008 130125s2013 nyua b 001 0 eng
010 $a 2012047001
020 $a1594204195 (hardback)
020 $a9781594204197 (hardback)
020 $z1101617799 (ebook)
020 $z9781101617793 (ebook)
024 8 $a40022503478
035 $a(CSdNU)u530187-01national_inst
035 $a(OCoLC)826121185
035 $a(OCoLC)826121185
040 $aDLC$beng$erda$cDLC$dYDX$dOCLCO$dHHO$dWIQ$dYDXCP$dVP@$dABG$dMOF$dYUS $dIQU$dIXA
042 $apcc
043 $an-us---
049 $aCNUM
050 00 $aPN1992.8.S4$bM2655 2013
082 00 $a791.450973/09049$223
084 $aPER010030$aSOC052000$2bisacsh
100 1 $aMartin, Brett,$d1972-$eauthor.
245 10 $aDifficult men :$bbehind the scenes of a creative revolution : from the Sopranos and the Wire to Mad Men and Breaking Bad /$cBrett Martin.
264 1 $aNew York :$bPenguin Press,$c2013.
300 $a303 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aPreviously on: In this maligned medium ; Which films? ; A great notion ; Should we do this? Can we do this? -- The beast in He: Difficult men ; The arguer ; The magic Hubig's ; Being the boss ; A big piece of equipment ; Have a take, try not to suck -- The inheritors: Shooting the dog ; See you at the Emmys ; The happiest room in Hollywood.
520 $a"In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows, first on premium cable channels like HBO and then basic cable networks like FX and AMC, dramatically stretched television's narrative inventiveness, emotional resonance, and artistic ambition. No longer necessarily concerned with creating always-likable characters, plots that wrapped up neatly every episode, or subjects that were deemed safe and appropriate, shows such as The Wire, The Sopranos, Mad Men, Deadwood, The Shield, and more tackled issues of life and death, love and sexuality, addiction, race, violence, and existential boredom. This revolution happened at the hands of a new breed of auteur: the all-powerful writer-show runner. These were men nearly as complicated, idiosyncratic, and "difficult" as the conflicted protagonists that defined the genre"--$cProvided by publisher.
650 0 $aTelevision series$zUnited States.
650 0 $aTelevision broadcasting$xSocial aspects$zUnited States.
650 0 $aTelevision program genres$zUnited States.
650 0 $aTelevision actors and actresses$zUnited States$vInterviews.
650 0 $aCable television$zUnited States$xHistory.
650 0 $aMasculinity on television.
947 $fHUMANITIES$hCIRCSTACKS$p$24.04$q1
949 $aPN1992.8.S4 M2655 2013$i31786102834634
994 $a92$bCNU
999 $aPN 1992.8 .S4 M2655 2013$wLC$c1$i31786102834634$lCIRCSTACKS$mNULS$rY $sY$tBOOK$u8/29/2013