| Record ID | marc_nuls/NULS_PHC_180925.mrc:55084428:2016 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:55084428:2016?format=raw |
LEADER: 02016cam 2200325 a 4500
001 9920630170001661
005 20150423130910.0
008 960813s1996 nyua bq 001 0 eng
010 $a 96038444
015 $aC97-2278-6
020 $a0805738932 (hardcover : alk. paper)
020 $a0805738940 (pbk. : alk. paper)
035 $a(CSdNU)u69153-01national_inst
035 $a(OCoLC)35262490
035 $a(Sirsi) 01-AAH-3818
040 $aDLC$cDLC$dNLC
049 $aCNUM
050 00 $aPN1998.3.F45$bB87 1996
100 1 $aBurke, Frank.
245 00 $aFellini's films :$bfrom postwar to postmodern /$cFrank Burke.
260 $aNew York :$bTwayne Publishers ;$aLondon :$bPrentice Hall International,$cc1996.
300 $axx, 398 p. :$bill. ;$c22 cm.
440 0 $aTwayne's filmmakers series
504 $aFilmography: p. 381-389.
504 $aIncludes bibliographical references (p. 369-380) and index.
505 0 $aFellini in context -- Individuality denied: Variety Lights to Il Bidone -- Individualition and "creative negation": The Nights of Cabiria and La Dolce Vita -- Film about film and modernist self-reflexivity: The temptations of Dr. Antonio -- Individuation and enlightenment: 8 1/2, Juliet of the Spirit, and Toby Dammit -- The individual in crisis from 8 1/2 to Fellini-Satyricon -- The individuation of art versus character: Fellini-Satyricon and The Clowns -- Art and individuality dissolved: Roma, Amarcord, and Orchestra Rehearsal -- Postmodern reproduction: Fellini's Casanova to Intervista (and La Dolce Vita Revisited) -- The Voice of the Moon -- Politics, gender, and Fellini's critical reputation.
600 10 $aFellini, Federico$xCriticism and interpretation.
948 $a10/13/1999$b10/13/1999
999 $aPN 1998.3 F45 B87 1996$wLC$c1$i31786100663233$d7/15/2004$f7/15/2004 $g1$lCIRCSTACKS$mNULS$n1$rY$sY$tBOOK$u11/18/1998$o.STAFF. Pieces: 00001
999 $aPN 1998.3 F45 B87 1996$wLC$c2$i31786101047733$d7/15/2004$f7/15/2004 $g1$lCIRCSTACKS$mNULS$rY$sY$tBOOK$u12/14/2001