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MARC Record from marc_nuls

Record ID marc_nuls/NULS_PHC_180925.mrc:56676465:8555
Source marc_nuls
Download Link /show-records/marc_nuls/NULS_PHC_180925.mrc:56676465:8555?format=raw

LEADER: 08555cam 2200421 a 4500
001 9922823760001661
005 20150423145430.0
008 031010s2004 caua d 001 0 eng
015 $aGBA3-T8380
020 $a0782143008
029 0 $aUKM$bbA3T8380
035 $a(CSdNU)u240326-01national_inst
035 $a(OCoLC)53392766
035 $a(OCoLC)53392766
040 $aUKM$cUKM$dTXA$dOCLCQ$dOrPss
042 $apcc
049 $aCNUM
050 4 $aTR899$b.T432 2004
082 04 $a778.59302855369$221
100 1 $aTeague, Jason Cranford.
245 10 $aFinal Cut Pro 4 and the art of filmmaking /$cJason Cranford Teague, David Teague.
260 $aSan Francisco [Calif.] :$bSYBEX,$cc2004.
300 $axix, 412 p. :$bill. (chiefly col.) ;$c21 x 26 cm. +$e1 DVD-ROM (4 3/4 in.)
500 $aAccompanying DVD-ROM contents: all the clips needed to follow the lessons in the book, including a complete, fully edited short video documentary and source material.
500 $a"Sequel to the critically acclaimed best-seller"--Cover.
500 $aGlossary: p. 392-397.
500 $aIncludes index.
505 0 $aSetting Up Your Workstation -- The Computer -- External and Internal Hard Drives -- Monitors -- The DV Deck or Camera -- Hooking Up to a DV Deck or Camera -- Hooking Up to a Media Converter Box -- Installing an Analog-to-Digital Capture Card -- Getting to Know Final Cut Pro -- Running Final Cut Pro for the First Time -- Setting Your User Preferences -- Audio/Video Settings -- Defining Your Own Presets -- The Browser -- The Viewer -- The Timeline -- The Canvas -- Customizing with the Keyboard Layout and Button List -- Using the Tools and the Audio Meter -- The Tool Bench and QuickView -- Creating Your Footage -- Keeping a Camera Log -- Shooting Video for Efficient Editing -- Recording Audio on a Shoot -- Using an External Microphone -- Using the Camera Sound -- Logging Your Footage -- Getting to Know the Log and Capture Window -- Using the Logging Tab -- Using Markers with Log and Capture -- Adjusting Your Clip Settings -- Setting In and Out Points -- Logging Your Clip for Batch Capture -- Creating and Importing Batch Capture Lists -- Capturing and Importing Your Footage -- Creating Your Capture Settings -- Adjusting Your Capture Settings -- Capture Now: Capturing Clips on the Fly -- Capture Clip: Capturing One Clip -- Batch Capture: Capturing Multiple Clips -- Using OfflineRT -- Using DV Start/Stop Detection -- Importing Existing Media Files -- Alternative Steps: Importing a Folder of Files -- A Quick Guide to Logging and Capturing -- Alternative Steps: Using Capture Clip -- Alternative Steps: Using Capture Now -- Editing Your Movie -- Starting Your Edit -- Creating a New Sequence -- Opening and Closing a Sequence -- Deleting a Sequence from a Project -- Working with Clips -- Selecting Clips -- Adding Bins to Organize Your Clips -- Setting a Clip's In and Out Points -- Adding Blank Tracks in the Timeline -- Deleting Blank Tracks in the Timeline -- Editing Clips into the Timeline -- Alternate Steps: Copying and Pasting into the Timeline -- Setting Target Tracks -- Editing Clips into the Timeline through the Canvas -- Alternate Steps: Using the Edit Buttons -- Setting In and Out Points in the Timeline -- Tightening Your Cut with Ripple Delete, Lift Delete, and Close Gap -- Performing a Ripple Delete -- Performing a Lift Delete -- Closing a Gap -- The Tools of Editing -- Options, Options Everywhere: Using Contextual Menus -- Locking Tracks to Prevent Editing Errors -- Making Tracks Invisible and Inaudible -- Working with Markers -- Linking Audio and Video Clips -- Turning Linking Off in the Timeline -- Unlinking Video from Audio -- Creating a New Video/Audio Link -- Working with Stereo Pairs -- Creating Subclips -- Finding a Subclip's Source Material -- Extending a Subclip -- Making Smart Edits -- Editing Styles and Strategies -- Trimming with the Mouse -- Alternate Method: Extending an Edit -- Using the Razor Blade -- Making Roll Edits -- Alternate Steps: Roll Edits in the Timeline -- Making Ripple Edits -- Alternate Steps: Ripple Edits in the Timeline -- Making Slip Edits -- Making Slide Edits -- Editing for Speed: Slow Motion, Fast Motion, and Reverse -- Creating a Freeze-Frame -- Adding Effects -- Working with Effects: Real-Time and Rendering -- Using Real-Time with Effects -- Adding an Effect to a Clip -- Alternative Steps: Applying Effects Using Menus -- Rendering Clips -- Rendering a Single Clip -- Rendering All Clips in a Sequence -- Render Only Specific Clips in a Sequence -- Saving Your Favorite Effects -- Storing Favorite Effects -- Adding Transitions -- Adding Transitions -- Alternate Steps: Adding a Transition Using the Effects Menu -- Alternate Steps: Adding a Transition Using Contextual Menus -- Changing a Transition's Duration -- Alternate Steps: Changing Transition Duration Numerically -- Working with Transitions -- Trimming in the Transition Editor Window -- Alternate Steps: Changing Alignment in the Timeline -- Adding Audio Transitions -- Alternate Steps: Adding an Audio Transition Using the Effects Menu -- Alternate Steps: Adding an Audio Transition Using Contextual Menus -- Using Filters for Color Correcting -- Adding a Filter -- Adjusting Brightness and Contrast -- Color Manipulation with Image Control Filters -- Color Correcting Poor Footage -- Brightening or Darkening the Image -- Alternate Steps: Fixing Poor White Balance -- Color Adjustments with Gamma Levels and Proc Amp -- Manipulating the Image with Filters -- Blurring the Image -- Distorting the Image -- Changing the Perspective -- Adding a Border -- Creating a Negative Image Using Invert -- Stylizing Your Clip -- Compositing Images -- Changing the Opacity of a Clip -- Alternate Steps: Changing Opacity in the Timeline -- Working with Composite Modes -- Changing Alpha Channel Properties -- Keying Out Luminosity -- Keying Out Color -- Keying Out Difference -- Using Motion Controls -- Changing Size and Orientation -- Cropping the Image -- Distorting the Image -- Adding a Drop Shadow -- Using Motion Blur -- Making Temporal Changes with Keyframes -- Using Keyframes with Effects -- Using Keyframes with Motion Controls -- Using Keyframes to Create Motion Paths -- Editing and Smoothing a Motion Path -- Setting Variable Speeds in a Clip -- Alternate Steps: Setting Variable Speed in the Timeline -- Finishing Touches -- Fine-Tuning Your Audio -- Adjusting Audio Levels and Spread -- Using Keyframes with Audio -- Using Split Edit Points -- Importing Audio -- The Audio Effects Folder -- Adding a Voice-over -- Adding Titles -- Adding Static Titles -- Adding Moving Titles -- Creating a Colored Backdrop -- Importing a Title Card -- Advanced Titles -- Advanced Moving Titles -- The Juxtaposition of Shots -- Editing Based on Temporal Relationships -- Editing with Match Cuts -- Editing for Spatial Relationships -- Editing for Rhythm -- Laying Down the Edits -- Adding the B-Roll -- Adding Transitions -- Adding Titles, Effects, and Filters -- Adding the Musical Score -- Saving the Finished Product -- After the Editing Is Done -- Managing Your Media -- Deleting Unused Material -- Archiving Your Project -- Reconnecting Media -- Recapturing OfflineRT Footage to Restore Online Quality -- Using the Media Manager to Prepare to Recapture OfflineRT -- Printing to Video -- Preparing to Record -- Recording Directly from the Timeline -- Using Print to Video -- Outputting Video for CDs, DVDs, and the Web -- Compressing Digital Video -- Output to CD and DVD -- Output to the Web -- Exporting as a Final Cut QuickTime Movie -- Exporting to Different Movie Formats -- Alternative Steps: Exporting for the Web -- Alternative Steps: Exporting for DVD Video -- Alternative Steps: Exporting Still Images -- Using Apple Compressor to Create Smaller Files -- Creating a CD or DVD Data Disc -- Creating a Video Web Page.
538 $aSystem requirements for accompanying DVD-ROM: minimum of 3GB of free hard drive space; Mac OS X v10.2.5 or later.
630 00 $aFinal cut (Electronic resource)
630 04 $aFinal Cut Pro (Computer file)
650 0 $aVideo tapes$xEditing$xData processing.
650 0 $aDigital video$xEditing$xData processing.
700 1 $aTeague, David.
949 $aTR 899 .T432 2004$i31786101899935
994 $a92$bCNU
999 $aTR 899 .T432 2004$wLC$c1$i31786101899935$d7/11/2012$e7/28/2011 $lCIRCSTACKS$mNULS$rY$sY$tBOOK$u2/22/2005
999 $aTR 899 .T432 2004$vCD$wLC$c1$i31786101959630$lMULTIMEDIA$mNULS$rY$sY $tCD-ROM$u3/3/2005