MARC Record from marc_nuls

LEADER: 04008cam 2200397 i 4500
001 9925202787401661
005 20150502063707.7
008 140417s2014 enka b 001 0 eng
010 $a 2014004219
019 $a894531036
020 $a9780199838844 (hardcover : acid-free paper)
020 $a0199838844 (hardcover : acid-free paper)
020 $z9780199838851 (ebook)
024 8 $a40024073147
035 $a40024793666
035 $a(OCoLC)877561813$z(OCoLC)894531036
035 $a(OCoLC)ocn877561813
040 $aDLC$beng$erda$cDLC$dYDX$dBDX$dYDXCP$dBTCTA$dOCLCF$dUKMGB$dAUG$dCOO$dYUS$dZCU$dNLGGC$dSTF$dHEBIS$dPUL$dVLB$dCIA
042 $apcc
050 00 $aPN3433.5$b.O94 2014
082 00 $a809.3/8762$223
245 04 $aThe Oxford Handbook of Science Fiction /$cedited by Rob Latham.
264 1 $aOxford ;$aNew York :$bOxford University Press,$c[2014]
300 $axv, 620 pages :$billustrations ;$c26 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 1 $aOxford handbooks
504 $aIncludes bibliographical references and index.
505 00 $gPart I.$tScience fiction as genre.$tExtrapolation and speculation /$rBrooks Landon --$tAesthetics /$rPeter Stockwell --$tHistories /$rArthur B. Evans --$tLiterary movements /$rGary K. Wolfe --$tFandom /$rFarah Mendlesohn --$tThe marketplace /$rGary Westfahl --$tPulp science fiction /$rJess Nevins --$tLiterary science fiction /$rJoan Gordon --$tSlipstream /$rVictoria de Zwaan --$tThe fantastic /$rBrian Attebery --$tGenre vs. mode /$rVeronica Hollinger --$gPart II.$tScience fiction as medium.$tFilm /$rMark Bould --$tRadio and television /$rJ.P. Telotte --$tAnimation /$rPaul Wells --$tArt and illustration /$rJerome Winter --$tComics /$rCorey K. Creekmur --$tVideo games /$rPawe¿ Frelik --$tDigital arts and hypertext /$rJames Tobias --$tMusic /$rJohn Cline --$tPerformance art /$rSteve Dixon --$tArchitecture /$rNic Clear --$tTheme parks /$rLeonie Cooper --$gPart III. Science fiction as culture.$tThe culture of science /$rSherryl Vint --$tAutomation /$rRoger Luckhurst --$tMilitary culture /$rSteffen Hantke --$tAtomic culture and the space race /$rDavid Seed --$tUFOs, scientology, and other SF religions /$rGregory L. Reece --$tAdvertising and design /$rJonathan M. Woodham --$tCountercultures /$rRob Latham --$tSexuality /$rPatricia Melzer --$tBody modification / Ross Farnell --$tCyberculture /$rThomas Foster --$tRetrofuturism and steampunk /$rElizabeth Guffey and Kate C. Lemay --$gPart IV.$tScience fiction as worldview.$tThe enlightenment /$rAdam Roberts --$tThe gothic /$rWilliam Hughes --$tDarwinism /$rPatrick B. Sharp --$tColonialism and postcolonialism /$rJohn Rieder --$tPseudoscience /$rAnthony Enns --$tFuturology /$rAndrew M. Butler --$tPosthumanism /$rColin Milburn --$tFeminism /$rLisa Yaszek --$tLibertarianism and anarchism /$rNeil Easterbrook --$tAfrofuturism /$rDe Witt Douglas Kilgore --$tUtopianism /$rPhillip E. Wegner.
520 $a"The Handbook begins with a focus on questions of genre, covering topics such as critical history, keywords, narrative, the fantastic, and fandom. A subsequent section on media engages with film, television, comics, architecture, music, video games, and more. The genre's role in the convergence of art and everyday life animates a third section, which addresses topics such as UFOs, the Atomic Era, the Space Race between the US and USSR, organized religion, automation, the military, sexuality, steampunk, and retrofuturism. The final section on worldviews features perspectives on science fiction's relationship to the gothic, evolution, colonialism, feminism, afrofuturism, utopianism, and posthumanism." --from inside jacket.
650 0 $aScience fiction$xHistory and criticism.
700 1 $aLatham, Rob,$d1959-$eeditor of compilation.
830 0 $aOxford handbooks.
947 $cBOOK$fBOOK-COLS$g150.00$hCIRCSTACKS$lNULS$n257409$o150713$p129.00$q1$r31786102996235
980 $a40024793666