| Record ID | marc_nuls/NULS_PHC_180925.mrc:6368469:1363 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:6368469:1363?format=raw |
LEADER: 01363pam 2200349 a 4500
001 9919315950001661
005 20150423115458.0
008 990415s2000 caua b s001 0 eng
010 $a 99029428
020 $a0520221060 (alk. paper)
035 $a(CSdNU)u88615-01national_inst
035 $a(Sirsi) l99029428
035 $a(Sirsi) l99029428
035 $a(Sirsi) 01-AAK-8544
035 $a 99029428
040 $aDLC$cDLC$dDLC$dOrPss
043 $an-us---
050 00 $aML 3795$bM35 2000
100 1 $aMcClary, Susan.
245 10 $aConventional wisdom :$bthe content of musical form /$cSusan McClary.
260 $aBerkeley :$bUniversity of California Press,$cc2000.
300 $axiv, 205 p. :$bill. ;$c24 cm.
490 1 $aBloch lectures
504 $aIncludes bibliographical references (p. 171-196) and index.
505 0 $aTurtles All the Way Down (On the "Purely Musical") -- Thinking Blues -- What Was Tonality? -- The Refuge of Counterconvention -- Reveling in the Rubble: The Postmodern Condition.
650 0 $aMusic$xSocial aspects.
650 0 $aTonality.
650 0 $aBlues (Music)$xHistory and criticism.
650 0 $aPostmodernism.
830 0 $aErnest Bloch lectures.
948 $a10/27/2000$b01/04/2001
999 $aML 3795 M35 2000$wLC$c1$i31786101256508$d8/26/2008$f8/3/2004$g1 $lCIRCSTACKS$mNULS$q1$rY$sY$tBOOK$u1/4/2001