| Record ID | marc_nuls/NULS_PHC_180925.mrc:70230121:1437 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:70230121:1437?format=raw |
LEADER: 01437cam 2200337 i 4500
001 9921175460001661
005 20161129143849.0
008 800729t19811977maua b 001 0 eng
010 $a 80020453
020 $a0262610337 (pbk.)
035 $a(CSdNU)u250809-01national_inst
035 $a(OCoLC)06649893
035 $a(OCoLC)06649893
040 $aDLC$cDLC$dMUQ$dOUB$dBAKER
049 $aCNUM
050 1 $aNB198$b.K69 1981
082 0 $a735/.23$219
100 1 $aKrauss, Rosalind E.
245 10 $aPassages in modern sculpture /$cRosalind E. Krauss.
260 $aCambridge, Mass. :$bMIT Press,$c1981, c1977.
300 $aix, 308 p. :$bill. ;$c23 cm.
500 $aIncludes index.
504 $aBibliography: p. 299-302.
505 0 $aIntroduction -- Narrative time: The question of the Gates of Hell -- Analytic space: Futurism and constructivism -- Forms of readymade: Duchamp and Brancusi -- A game plan: The terms of surrealism -- Tanktotem: Welded images -- Mechanical ballets: Light, motion, theater -- The Double Negative: A new syntax for sculpture.
650 0 $aSculpture, Modern$y20th century.
650 6 $aSculpture$y19e siecle.
650 6 $aSculpture$y20e siecle.
938 $aBaker & Taylor$bBKTY$c30.00$d22.50$i0262610337$n0000129562$sactive
949 $aNB 198 .K69 1981$i31786102276273
994 $a92$bCNU
999 $aNB 198 .K69 1981$wLC$c1$i31786102276273$lCIRCSTACKS$mNULS$rY$sY$tBOOK $u8/3/2005