Record ID | marc_nuls/NULS_PHC_180925.mrc:70954426:1943 |
Source | marc_nuls |
Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:70954426:1943?format=raw |
LEADER: 01943cam 2200373 a 4500
001 9920631980001661
005 20150423130908.0
008 030701s2004 alu b s001 0 eng
010 $a 2003010221
020 $a0817313052 (cloth : alk. paper)
020 $a0817350373 (pbk. : alk. paper)
035 $a(CSdNU)u235719-01national_inst
035 $a(OCoLC)52547494
035 $a(OCoLC)52547494
040 $aDLC$cDLC$dYBM
043 $an-us---
049 $aCNUM
050 00 $aPS310.P63$bM34 2004
082 00 $a810.9/113$222
100 1 $aMcHale, Brian.
245 14 $aThe obligation toward the difficult whole :$bpostmodernist long poems /$cBrian McHale.
260 $aTuscaloosa :$bUniversity of Alabama Press,$cc2004.
300 $axiv, 312 p. ;$c24 cm.
440 0 $aModern and contemporary poetics
504 $aIncludes bibliographical references (p. [281]-298) and index.
505 0 $a1: The obligation toward the difficult whole -- Angels in America: James Merrill's The changing light at sandover -- Pop (up) figures: Melvin Tolson's Harlem Gallery and Edward Dorn's Gunslinger -- 4: Archaeologies of knowledge: Geoffrey Hill's Mercian hymns and Armand Schwerner's The tablets -- 5: How (not) to read a postmodernist long poem: John Ashbery's "The skaters" -- 6: Will the revolution be televised? Thomas McGrath's Letter to an imaginary friend and Bruce Andrew's "confidence trick" -- 7: The silent woman: Susan Howe's The Europe of trust -- Elements of postmodernist poetry.
650 0 $aAmerican poetry$y20th century$xHistory and criticism.
650 0 $aPostmodernism (Literature)$zUnited States.
650 0 $aLiterary form$xHistory$y20th century.
650 0 $aMeaning (Philosophy) in literature.
650 0 $aReadability (Literary style)
949 $aPS 310.P63 M34 2004$i31786101892385
994 $a92$bCNU
999 $aPS 310.P63 M34 2004$wLC$c1$i31786101892385$lCIRCSTACKS$mNULS$rY$sY $tBOOK$u1/7/2005