MARC Record from marc_nuls

LEADER: 03583cam 22003734a 4500
001 9921964630001661
005 20150423141703.0
008 990105s1999 nyua bq 001 0 eng
010 $a 99011956
020 $a0231110944 (cl. : alk. paper)
020 $a0231110952 (pa. : alk. paper)
035 $a(CSdNU)u79599-01national_inst
035 $a(OCoLC)99011956
035 $a(OCoLC)99011956
035 $a(Sirsi) 01-AAI-5535
040 $aDLC$cDLC$dNhCcYBP$dOrPss
042 $apcc
043 $an-us---
050 00 $aPN1995.62$b.D65 1999
082 00 $a302.23/43/097309043$221
100 1 $aDoherty, Thomas Patrick.
245 10 $aPre-code Hollywood :$bsex, immorality, and insurrection in American cinema, 1930-1934 /$cThomas Doherty.
260 $aNew York :$bColumbia University Press,$cc1999.
300 $axiii, 430 p. :$bill ;$c24 cm.
440 0 $aFilm and culture
504 $aFilmography: p. [369]-372.
504 $aIncludes bibliographical references (p. [373]-410) and indexes.
505 0 $aOn the Cusp of Classical Hollywood Cinema -- Patrolling the Diegesis -- Pre-Code Contexts -- Breadlines and Box Office Lines: Hollywood in the Nadir of the Great Depression -- The Lost Millions -- A Synchronized Industry -- "Mike Fright" -- Preachment Yarns: The Politics of Mere Entertainment -- Telegraphing Ideology -- Class Distinctions -- Professional Malfeasance -- Dictators and Democrats: The Rage for Order -- Hankering for Supermen -- "The Barrymore of the Capital": The Newsreel Presidency of Franklin Delano Roosevelt -- A New Deal in the Last Reel -- The Mad Dog of Europe -- Vice Rewarded: The Wages of Cinematic Sin -- Packaging Vice -- Models of Immorality -- Figurative Literalness -- Queer Flashes -- "Women Love Dirt" -- Working Girls -- Criminal Codes: Gangsters Unbound, Felons in Custody -- Rushing Toward Death: The Gangster Film -- Men Behind Bars: The Prison Film -- Comic Timing: Cracking Wise and Wising Up -- Commentators on the Action -- Story, Screenplay, and All Dialogue by Mae West -- Newspaper Patter -- The Blue Eagle and Duck Soup (1933) -- News on Screen: The Vividness of Mechanical Immortality -- Library Stock -- The Newsreel Ethos -- Covering Up the Great Depression -- Remote Kinships: The Geography of the Expeditionary Film -- Points on the Compass -- Faking It: Phoney Expeditions and Real Deaths -- The Dark Continent -- Primitive Mating Rituals: The Color Wheel of the Racial Adventure Film -- "He's White": Tarzan, the Ape Man (1932) and Tarzan and His Mate (1934) -- Red Skin, Red Lips: Massacre (1934) -- East Mates West -- "The Ethiopian Trade" -- Nerve and Brains: Paul Robeson and The Emperor Jones (1933) -- Beauty and the Beast: King Kong (1933) -- Nightmare Pictures: The Quality of Gruesomeness -- Rugged Individualism: Dracula (1931), Frankenstein (1931), and Their Progeny -- The Lower Orders Rise Up: Island of Lost Souls (1933) and Freaks (1932) -- Classical Hollywood Cinema: The World According to Joseph I. Breen -- "The Storm of '34" -- Hollywood Under the Code -- Post-Code Hollywood Cinema -- The Text of the Production Code -- The Critical and Commercial Hits of 1930-1934.
650 0 $aMotion pictures$xCensorship$zUnited States$xHistory.
650 0 $aSex in motion pictures.
948 $a10/13/1999$b10/13/1999
983 $a31786101118369
999 $aPN 1995.62 D65 1999$wLC$c2$i31786101118369$d7/19/2004$f7/19/2004$g1 $lCIRCSTACKS$mNULS$n1$rY$sY$tBOOK$u6/11/2003
999 $aPN 1995.62 D65 1999$wLC$c3$i31786102114789$d8/9/2013$e7/29/2013 $lCIRCSTACKS$mNULS$n1$rY$sY$tBOOK$u9/10/2012