Record ID | marc_nuls/NULS_PHC_180925.mrc:98259689:3126 |
Source | marc_nuls |
Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:98259689:3126?format=raw |
LEADER: 03126cam 2200433 i 4500
001 9925242105701661
005 20160719060531.9
008 150922s2016 cau b 001 0 eng
010 $a 2015032345
019 $a918590899
020 $a9781440837586$q(hardback ;$qacid-free paper)
020 $a1440837589$q(hardback ;$qacid-free paper)
020 $z9781440837593$q(ebook)
020 $a1440837597
020 $a9781440837593
035 $a99968393297
035 $a(OCoLC)921994912$z(OCoLC)918590899
035 $a(OCoLC)ocn921994912
040 $aDLC$beng$erda$cDLC$dSTF$dOCLCF$dCDX$dYDXCP$dBTCTA$dBDX$dCOO$dPUL$dEZN$dHF9$dZCU$dOCLCO$dNLGGC$dOCLCO$dOCLCQ$dOCLCO
042 $apcc
043 $an-us---
050 00 $aPS3551.N464$bZ7578 2016
082 00 $a818/.5409$223
100 1 $aLupton, Mary Jane,$eauthor.
245 10 $aMaya Angelou :$bthe iconic self /$cMary Jane Lupton.
250 $aSecond edition.
264 1 $aSanta Barbara, California :$bGreenwood, an imprint of ABC-CLIO, LLC,$c[2016]
300 $ax, 202 pages ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 181-195) and index.
505 0 $aAcknowledgments -- 1. The Life and Works of Maya Angelou -- 2. The Genre of Autobiography -- 3. I Know Why the Caged Bird Sings (1970) -- 4. Gather together in My Name (1974) -- 5. Singin' and Swingin' and Gettin' Merry Like Christmas (1976) -- 6. The Heart of a Woman (1981) -- 7. All God's Children Need Traveling Shoes (1986) -- 8. A Song Flung Up to Heaven (2002) -- 9. In Memoriam -- Bibliography -- Index.
520 $a"Maya Angelou: The Iconic Self" examines this iconic artist's work as an autobiographer, offering an up-to-date assessment of Angelou's contributions to American literature and to American and international culture. This is the only book to interpret Angelou's autobiographies as unique experiments in the history of black narrative. It attests to Angelou's creativity in transforming the typical single-volume autobiography into a six-volume personal and cultural adventure that tells the truth but reads like fiction. The narratives cover the years from the Great Depression (1941) to the days following the assassinations of Malcolm X (1965) and Martin Luther King (1968), emphasizing Angelou's roles as mother, daughter, granddaughter, wife, and friend. This revised edition also presents information about Maya Angelou's funeral and her continuing legacy since her death in 2014. The depth and scope of the book's observations regarding Angelou's autobiographies will be of great interest to readers seeking an analysis of the interconnections among Angelou's writings as well as serve students taking courses in women's studies or black culture studies. -- Provided by publisher.
600 10 $aAngelou, Maya$xCriticism and interpretation.
650 0 $aWomen and literature$zUnited States$xHistory$y20th century.
650 0 $aAfrican Americans in literature.
947 $hCIRCSTACKS$r31786103035199
980 $a99968393297