| Record ID | marc_oapen/convert_oapen_20201117.mrc:18757400:1859 |
| Source | marc_oapen |
| Download Link | /show-records/marc_oapen/convert_oapen_20201117.mrc:18757400:1859?format=raw |
LEADER: 01859namaa2200289uu 450
001 http://library.oapen.org/handle/20.500.12657/25411
005 20190326
020 $aP3.0219.1.00
024 7 $a10.21983/P3.0219.1.00$cdoi
041 0 $aEnglish
042 $adc
072 7 $aDNF$2bicssc
100 1 $aFernando, Jeremy$4edt
700 1 $aHannis, Sarah Brigid$4edt
700 1 $aFernando, Jeremy$4oth
700 1 $aHannis, Sarah Brigid$4oth
245 10 $aOn Blinking
260 $aBrooklyn, NY$bpunctum books$c2012
300 $a1 electronic resource (174 p.)
506 0 $aOpen Access$2star$fUnrestricted online access
520 $aOn Blinking opens a dossier on seeing. It looks not only to the epistemological sense of what it means to see or the hermeneutical sense of what is the meaning of that which is seen but attends to various sites of knowledge – photography, literature, and philosophy. And in doing so, it questions the privileging of presence and sight in Western thought. Thus, this book, through the essays – “Emerging Sight, Emerging Blindness” (Brian Willems); “Augen, Blicke, Stätten” (Julia Hölzl); “At the Risk of Love” (Jeremy Fernando); and “Suspended in a Moving Night: Photography, or the Shiny Relation Self-World” (Jessica Aliaga Lavrijsen) – attempts to address the question what is seeing.
540 $aCreative Commons$fhttps://creativecommons.org/licenses/by-nc-nd/3.0/$2cc$4https://creativecommons.org/licenses/by-nc-nd/3.0/
546 $aEnglish
650 7 $aLiterary essays$2bicssc
653 $aliterary theory
856 40 $awww.oapen.org$uhttps://library.oapen.org/bitstream/id/23056bbf-c8c5-48f1-8170-be71f5de8233/1004684.pdf$70$zOAPEN Library: download the publication
856 40 $awww.oapen.org$uhttp://library.oapen.org/handle/20.500.12657/25411$70$zOAPEN Library: description of the publication