| Record ID | marc_oapen/convert_oapen_20201117.mrc:19623822:2010 |
| Source | marc_oapen |
| Download Link | /show-records/marc_oapen/convert_oapen_20201117.mrc:19623822:2010?format=raw |
LEADER: 02010namaa2200301uu 450
001 http://library.oapen.org/handle/20.500.12657/30131
005 20180518
020 $abook.27375
020 $a9780472119073
024 7 $a10.1353/book.27375$cdoi
041 0 $aEnglish
042 $adc
072 7 $aAN$2bicssc
100 1 $aRidout, Nicholas$4auth
245 10 $aPassionate Amateurs : Theatre, Communism and Love
260 $aAnn Arbor$bUniversity of Michigan Press$c20131001
506 0 $aOpen Access$2star$fUnrestricted online access
520 $aBeginning with Chekhov’s Uncle Vanya, Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to theater’s potential to produce surprising experiences of human community. Ridout argues that theater in modern capitalism can help us think afresh about notions of work, time, and freedom. Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to theater’s potential to produce surprising experiences of human community. It begins with one of the first great plays of modern European theater—Chekhov’s Uncle Vanya in Moscow—and then crosses the 20th and 21st centuries to look at how its story plays out in Weimar Republic Berlin, in the Paris of the 1960s, and in a spectrum of contemporary performance in Europe and the United States.
536 $aKnowledge Unlatched
540 $aCreative Commons$fhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode$2cc$4https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
546 $aEnglish
650 7 $aTheatre studies$2bicssc
653 $aLiterature
653 $aCapitalism
653 $aCommunism
653 $aKarl Marx
856 40 $awww.oapen.org$uhttps://library.oapen.org/bitstream/id/c8d7c64d-5cd9-439c-b1fa-fa9ab60e8bf1/649969.pdf$70$zOAPEN Library: download the publication
856 40 $awww.oapen.org$uhttp://library.oapen.org/handle/20.500.12657/30131$70$zOAPEN Library: description of the publication