MARC Record from marc_oapen

LEADER: 02235namaa2200385uu 450
001 http://library.oapen.org/handle/20.500.12657/31500
005 20170301
020 $a9780822374015
020 $a9780822374015
024 7 $a10.1215/9780822374015$cdoi
041 0 $aEnglish
042 $adc
072 7 $aAV$2bicssc
100 1 $aBorn, Georgina$4edt
700 1 $aLewis, Eric$4edt
700 1 $aStraw, Will$4edt
700 1 $aBorn, Georgina$4oth
700 1 $aLewis, Eric$4oth
700 1 $aStraw, Will$4oth
245 10 $aImprovisation and Social Aesthetics
260 $aDurham NC$bDuke University Press$c20170412
506 0 $aOpen Access$2star$fUnrestricted online access
520 $aAddressing a wide range of improvised art and music forms—from jazz and cinema to dance and literature—this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids in the creation, contestation, and codification of social realities and identities. Among other topics, the contributors discuss the social aesthetics of the Association for the Advancement of Creative Musicians, the Feminist Improvising Group, and contemporary Malian music, as well as the virtual sociality of interactive computer music, the significance of "uncreative" improvisation, responses to French New Wave cinema, and the work of figures ranging from bell hooks and Billy Strayhorn to Kenneth Goldsmith.
536 $aKnowledge Unlatched
540 $aCreative Commons$fhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode$2cc$4https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
546 $aEnglish
650 7 $aMusic$2bicssc
653 $aMusic
653 $aAesthetics
653 $aAssociation for the Advancement of Creative Musicians
653 $aImprovisation
653 $aJazz
653 $aSocial relation
856 40 $awww.oapen.org$uhttps://library.oapen.org/bitstream/id/84aed487-5f85-47c9-afbf-c6855b17abdb/627437.pdf$70$zOAPEN Library: download the publication
856 40 $awww.oapen.org$uhttp://library.oapen.org/handle/20.500.12657/31500$70$zOAPEN Library: description of the publication