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MARC Record from marc_oapen

Record ID marc_oapen/convert_oapen_20201117.mrc:25823441:3181
Source marc_oapen
Download Link /show-records/marc_oapen/convert_oapen_20201117.mrc:25823441:3181?format=raw

LEADER: 03181namaa2200469uu 450
001 http://library.oapen.org/handle/20.500.12657/31179
005 20170801
020 $a9781786940803
020 $a9781786940803
024 7 $a10.3828/9781786940803$cdoi
041 0 $aEnglish
042 $adc
072 7 $aA$2bicssc
100 1 $aH. Raheja, Michelle$4edt
700 1 $aJ. Phillipson, D.$4edt
700 1 $aGilbert, Helen$4edt
700 1 $aH. Raheja, Michelle$4oth
700 1 $aJ. Phillipson, D.$4oth
700 1 $aGilbert, Helen$4oth
245 10 $aIn the Balance: Indigeneity, Performance, Globalization
260 $aLiverpool$bLiverpool University Press$c2017
506 0 $aOpen Access$2star$fUnrestricted online access
520 $aIndigenous arts, simultaneously attuned to local voices and global cultural flows, have often been the vanguard in communicating what is at stake in the interactions, contradictions, disjunctions, opportunities, exclusions, injustices and aspirations that globalization entails. Focusing specifically on embodied arts and activism, this interdisciplinary volume offers vital new perspectives on the power and precariousness of indigeneity as a politicized cultural force in our unevenly connected world. Twenty-three distinct voices speak to the growing visibility of indigenous peoples’ performance on a global scale over recent decades, drawing specific examples from the Americas, Australia, the Pacific, Scandinavia and South Africa. An ethical touchstone in some arenas and a thorny complication in others, indigeneity is now belatedly recognised as mattering in global debates about natural resources, heritage, governance, belonging and social justice, to name just some of the contentious issues that continue to stall the unfinished business of decolonization. To explore this critical terrain, the essays and images gathered here range in subject from independent film, musical production, endurance art and the performative turn in exhibition and repatriation practices to the appropriation of hip-hop, karaoke and reality TV. Collectively, they urge a fresh look at mechanisms of postcolonial entanglement in the early 21st century as well as the particular rights and insights afforded by indigeneity in that process.
536 $aEuropean Commission
536 $aFP7 Ideas: European Research Council
540 $aCreative Commons$fhttps://creativecommons.org/licenses/by-nc/4.0/$2cc$4https://creativecommons.org/licenses/by-nc/4.0/
546 $aEnglish
650 7 $aThe arts$2bicssc
653 $aglobalization
653 $apostcolonial arts
653 $acontemporary
653 $aactivism
653 $amodern
653 $apostcolonial
653 $aglobal
653 $atrans-indigenous
653 $aindigeneity
653 $aindigenous arts
653 $aperformance
653 $aIndigenous peoples
856 40 $awww.oapen.org$uhttps://library.oapen.org/bitstream/id/a7013bd8-f8a9-4577-a2e4-156a38aa872b/636305.pdf$70$zOAPEN Library: download the publication
856 40 $awww.oapen.org$uhttp://library.oapen.org/handle/20.500.12657/31179$70$zOAPEN Library: description of the publication