MARC Record from marc_oapen

LEADER: 06183namaa2201321uu 450
001 https://library.oapen.org/handle/20.500.12657/41401
005 20200820
020 $a9781315191225
020 $a9781138726710
024 7 $a10.4324/9781315191225$cdoi
041 0 $aEnglish
042 $adc
072 7 $abic Book Industry Communication$2bicssc
072 7 $abic Book Industry Communication$2bicssc
072 7 $abic Book Industry Communication$2bicssc
072 7 $abic Book Industry Communication$2bicssc
100 1 $aWhite Ndounou, Monica$4auth
245 10 $aChapter 20 Being black on stage and screen
260 $bTaylor & Francis$c2020
506 0 $aOpen Access$2star$fUnrestricted online access
520 $aThe Routledge Companion to African American Theatre and Performance is an outstanding collection of specially written essays that charts the emergence, development, and diversity of African American Theatre and Performance—from the nineteenth-century African Grove Theatre to Afrofuturism. Alongside chapters from scholars are contributions from theatre makers, including producers, theatre managers, choreographers, directors, designers, and critics. This ambitious Companion includes: A "Timeline of African American theatre and performance." Part I "Seeing ourselves onstage" explores the important experience of Black theatrical self-representation. Analyses of diverse topics including historical dramas, Broadway musicals, and experimental theatre allow readers to discover expansive articulations of Blackness. Part II "Institution building" highlights institutions that have nurtured Black people both on stage and behind the scenes. Topics include Historically Black Colleges and Universities (HBCUs), festivals, and black actor training. Part III "Theatre and social change" surveys key moments when Black people harnessed the power of theatre to affirm community realities and posit new representations for themselves and the nation as a whole. Topics include Du Bois and African Muslims, women of the Black Arts Movement, Afro-Latinx theatre, youth theatre, and operatic sustenance for an Afro future. Part IV "Expanding the traditional stage" examines Black performance traditions that privilege Black worldviews, sense-making, rituals, and innovation in everyday life. This section explores performances that prefer the space of the kitchen, classroom, club, or field. This book engages a wide audience of scholars, students, and theatre practitioners with its unprecedented breadth. More than anything, these invaluable insights not only offer a window onto the processes of producing work, but also the labour and economic issues that have shaped and enabled African American theatre.
540 $aCreative Commons$fhttps://creativecommons.org/licenses/by-nc-nd/4.0/$2cc$4https://creativecommons.org/licenses/by-nc-nd/4.0/
546 $aEnglish
650 7 $abic Book Industry Communication$2bicssc
650 7 $abic Book Industry Communication$2bicssc
650 7 $abic Book Industry Communication$2bicssc
650 7 $abic Book Industry Communication$2bicssc
653 $aA. Perkins Kathy
653 $aAdell Sandra
653 $aAfrocentric
653 $aAlexander Craft Renee
653 $aB. Thompson Lisa
653 $aBlack
653 $aBurton Nefertiti
653 $aByrd Rikki
653 $aChanelle Truscott Cristal
653 $aChildress
653 $aD. Barcliff Baptista Lori
653 $aD. Luckett Sharrell
653 $aD. Soyini Madison
653 $aDiaspora
653 $aDubois
653 $aE. Alvarado Pedro
653 $aE. Patrick Johnson
653 $aEffinger-Crichlow Marta
653 $aF. DeFrantz Thomas
653 $aFelder Niiamar
653 $aFraser Rhone
653 $aFulani Sunni-Ali Asantewa
653 $aG. Shannon Sandra
653 $aGeorge-Graves Nadine
653 $aGooden Amoaba
653 $aGospel
653 $aGreene Melanie
653 $aHale Wood Katelyn
653 $aHansberry
653 $aHip Hop
653 $aHodges Persley Nicole
653 $aHolloway-Burrell JaMeeka
653 $aJ. Hart Denise
653 $aJ. K. Curry
653 $aJamie Mary Chester Tabitha
653 $aJohnson Jasmine
653 $aJohnson Kashi
653 $aJones Johnny
653 $aJoy Allen Leslye
653 $aJust Sascha
653 $aK. Zaheerah Sultan
653 $aKelly Baron
653 $aKelly Sonny
653 $aKrump
653 $aL. Arthur Loyce
653 $aL. Craft Howard
653 $aL. Forsgren La Donna
653 $aL. Perry Twila
653 $aL. Richards Sandra
653 $aL. H. Williams-Witherspoon Kimmika
653 $aLaMothe Mario
653 $aLewis Barbara
653 $aLynching
653 $aM. Cizmar Elizabeth
653 $aM. Mayo Sandra
653 $aM. Morris Johnson Nicole
653 $aMarie Seniors Paula
653 $aMatthew Wooden Isaiah
653 $aMcAllister Marvin
653 $aMoss-Bouldin Shondrika
653 $aN. Edwards Margit
653 $aO'Connell Sam
653 $aOwusu Portia
653 $aPauline Gumbs Alexis
653 $aPulitzer
653 $aRuffin Eric
653 $aS. Carr Gregory
653 $aScott Giles Freda
653 $aSeaton Sandra
653 $aSicre Daphnie
653 $aSmith Deroze Phyllisa
653 $aStone-Lawrence Susan
653 $aTeshome Tezeru
653 $aTheatre & Performance
653 $aTurner Beth
653 $aUniversoul
653 $aVaudeville
653 $aVoguing
653 $aWalls Alison
653 $aWatson Turner Susan
653 $aWhite Ndounou Monica
653 $aYaya Long Khalid
653 $aZien Katherine
773 10 $tThe Routledge Companion to African American Theatre and Performance$7nnaa
856 40 $awww.oapen.org$uhttps://library.oapen.org/bitstream/id/184d506c-b787-4241-a85e-80ddfffa64a4/9781138726710_oachapter20.pdf$70$zOAPEN Library: download the publication
856 40 $awww.oapen.org$uhttps://library.oapen.org/handle/20.500.12657/41401$70$zOAPEN Library: description of the publication