MARC Record from marc_oapen

LEADER: 02023namaa2200301uu 450
001 http://library.oapen.org/handle/20.500.12657/23775
005 20191115
020 $a9781350049024
020 $a9781350049000;9781350049017
024 7 $a10.5040/9781350049024$cdoi
041 0 $aEnglish
042 $adc
072 7 $aJFCK$2bicssc
100 1 $aPetrov, Julia$4auth
245 10 $aFashion, History, Museums : Inventing the display of dress
260 $aLondon$bBloomsbury Academic$c20190207
506 0 $aOpen Access$2star$fUnrestricted online access
520 $aThe last decade has seen the growing popularity and visibility of fashion as a cultural product, including its growing presence in museum exhibitions. This book explores the history of fashion curating and exhibitions, highlighting the continuity of past and present curatorial practices. Comparing and contrasting exhibitions from different museums and decades – from the Paris Exposition Universelle of 1900 to the Alexander McQueen Savage Beauty show at the Metropolitan Museum of Art in 2011 – it makes connections between museum fashion and the wider fashion industry.

By critically analyzing trends in fashion exhibition practice over the twentieth and early twenty-first centuries, Julia Petrov defines and describes the varied representations of historical fashion within British and North American museum exhibitions.
536 $aKnowledge Unlatched
540 $aCreative Commons$fhttps://creativecommons.org/licenses/by/4.0/legalcode$2cc$4https://creativecommons.org/licenses/by/4.0/legalcode
546 $aEnglish
650 7 $aFashion & society$2bicssc
653 $aHistory
653 $aDesign
653 $aMuseology
653 $aFashion History
856 40 $awww.oapen.org$uhttps://library.oapen.org/bitstream/id/84a02a94-b7e1-4ae0-a34e-2c14b9a6846f/1006368.pdf$70$zOAPEN Library: download the publication
856 40 $awww.oapen.org$uhttp://library.oapen.org/handle/20.500.12657/23775$70$zOAPEN Library: description of the publication