| Record ID | marc_oapen/oapen.marc.utf8.mrc:12844245:1666 |
| Source | marc_oapen |
| Download Link | /show-records/marc_oapen/oapen.marc.utf8.mrc:12844245:1666?format=raw |
LEADER: 01666 am a22002653u 450
001 625274
005 20200111
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008 200111s|||| xx o 0 u eng |
020 $a9780822363002
020 $a9780822373414
024 7 $a$2doi
041 0 $aeng
042 $adc
072 7 $aAP$2bicssc
100 1 $aMalkowski, Jennifer$4aut
245 10 $aDying in Full Detail
260 $aDurham NC$bDuke University Press$c20170302
520 $aIn 'Dying in Full Detail' Jennifer Malkowski explores digital media's impact on one of documentary film's greatest taboos: the recording of death. Despite technological advances that allow for the easy creation and distribution of death footage, digital media often fail to live up to their promise to reveal the world in greater fidelity. Malkowski analyzes a wide range of death footage, from feature films about the terminally ill (Dying, Silverlake Life, Sick), to surreptitiously recorded suicides (The Bridge), to #BlackLivesMatter YouTube videos and their precursors. Contextualizing these recordings in the long history of attempts to capture the moment of death in American culture, Malkowski shows how digital media are unable to deliver death "in full detail," as its metaphysical truth remains beyond representation.
536 $aKnowledge Unlatched$c100284$bKU Select 2016 Front List Collection
546 $aEnglish.
650 7 $aFilm, TV & radio$2bicssc
653 $aMedia and Communications
856 40 $uhttp://www.oapen.org/download?type=document&docid=625274$zAccess full text online
856 40 $uhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode$zCreative Commons License