| Record ID | marc_oapen/oapen.marc.utf8.mrc:13370411:1904 |
| Source | marc_oapen |
| Download Link | /show-records/marc_oapen/oapen.marc.utf8.mrc:13370411:1904?format=raw |
LEADER: 01904 am a22003133u 450
001 619477
005 20161108
007 cu#uuu---auuuu
008 161108s|||| xx o 0 u eng |
020 $a9781760460402
024 7 $a10.22459/II.08.2016$2doi
041 0 $aeng
042 $adc
072 7 $aAGHF$2bicssc
072 7 $aJF$2bicssc
072 7 $aUG$2bicssc
245 10 $aImaging Identity: Media, memory and portraiture in the digital age
260 $a$bANU Press$c2016
520 $aImaging Identity presents potent reflections on the human condition through the prism of portraiture. Taking digital imaging technologies and the dynamic and precarious dimensions of contemporary identity as critical reference points, these essays consider why portraits continue to have such galvanising appeal and perform fundamental work across so many social settings. This multidisciplinary enquiry brings together artists, art historians, art theorists and anthropologists working with a variety of media. Authors look beyond conventional ideas of the portrait to the wider cultural contexts, governmental practices and intimate experiences that shape relationships between persons and pictures. Their shared purpose centres on a commitment to understanding the power of images to draw people into their worlds. Imaging Identity tracks a fundamental symbiosis ? to grapple with the workings of images is to understand something vital of what it is to be human.
546 $aEnglish.
650 7 $aPortraits in art$2bicssc
650 7 $aSociety & culture: general$2bicssc
650 7 $aGraphical & digital media applications$2bicssc
653 $aportraiture
653 $aart
653 $adigital technology
653 $aanthropology
856 40 $uhttp://www.oapen.org/download?type=document&docid=619477$zAccess full text online
856 40 $uhttp://press.anu.edu.au/about/conditions-use$zLicense