Record ID | marc_oapen/oapen.marc.utf8.mrc:17403801:1813 |
Source | marc_oapen |
Download Link | /show-records/marc_oapen/oapen.marc.utf8.mrc:17403801:1813?format=raw |
LEADER: 01813 am a22002773u 450
001 425211
005 20191210
007 cu#uuu---auuuu
008 191210s|||| xx o 0 u eng |
020 $a9789089644367
024 7 $a10.26530/OAPEN_425211$2doi
041 0 $aeng
042 $adc
072 7 $aHB$2bicssc
072 7 $aHBJD$2bicssc
245 10 $aDivided Dreamworlds?
260 $a$bAmsterdam University Press$c2012
300 $a248
520 $aWhile the divide between capitalism and communism, embodied in the image of the Iron Curtain, seemed to be as wide and definitive as any cultural rift, Giles Scott-Smith, Joes Segal, and Peter Romijn have compiled a selection of essays on how culture contributed to the blurring of ideological boundaries between the East and the West. This important and diverse volume presents fascinating insights into the tensions, rivalries, and occasional cooperation between the two blocs, with essays that represent the cutting edge of Cold War Studies and analyze aesthetic preferences and cultural phenomena as various as interior design in East and West Germany; the Soviet stance on genetics; US cultural diplomacy during and after the Cold War; and the role of popular music as the universal cultural ambassador. An illuminating and wide-ranging survey of interrelated collective dreams from both sides of the Iron Curtain, Divided Dreamworlds? has a place on the bookshelf of any modern historian.
546 $aEnglish.
650 7 $aHistory$2bicssc
650 7 $aEuropean history$2bicssc
653 $ageschiedenis
653 $ahistory, geography, and auxiliary disciplines
856 40 $uhttp://www.oapen.org/download?type=document&docid=425211$zAccess full text online
856 40 $uhttps://creativecommons.org/licenses/by-nc-nd/3.0/$zCreative Commons License