MARC Record from marc_oapen

LEADER: 02030 am a22002893u 450
001 409602
005 20191210
007 cu#uuu---auuuu
008 191210s|||| xx o 0 u eng |
020 $a9789089643858
024 7 $a10.26530/OAPEN_409602$2doi
041 0 $aeng
042 $adc
072 7 $aPD$2bicssc
072 7 $aUD$2bicssc
100 1 $aAigrain, Philippe$4aut
245 10 $aSharing
260 $a$bAmsterdam University Press$c2012
300 $a244
520 $aIn the past fifteen years, file sharing of digital cultural works between individuals has been at the center of a number of debates on the future of culture itself. To some, sharing constitutes piracy, to be fought against and eradicated. Others see it as unavoidable, and table proposals to compensate for its harmful effects. Meanwhile, little progress has been made towards addressing the real challenges facing culture in a digital world. Sharing starts from a radically different viewpoint, namely that the non-market sharing of digital works is both legitimate and useful. It supports this premise with empirical research, demonstrating that non-market sharing leads to more diversity in the attention given to various works. Taking stock of what we have learned about the cultural economy in recent years, Sharing sets out the conditions necessary for valuable cultural functions to remain sustainable in this context. Our software and datasets can be downloaded from the book site at http://www.sharing-thebook.net. On the same site, the reader can also run our models with adjusted parameters and upload datasets in order to run our algorithms for the study of diversity of attention.
546 $aEnglish.
650 7 $aScience: general issues$2bicssc
650 7 $aDigital lifestyle$2bicssc
653 $awetenschap algemeen
653 $apopular science
856 40 $uhttp://www.oapen.org/download?type=document&docid=409602$zAccess full text online
856 40 $uhttps://creativecommons.org/licenses/by-nc-nd/3.0/$zCreative Commons License