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LEADER: 03727 am a22006493u 450
001 381343
005 20110530
007 cu#uuu---auuuu
008 110530s|||| xx o 0 u ger |
020 $a978-3860042373
024 7 $a10.26530/OAPEN_381343$2doi
041 0 $ager
042 $adc
072 7 $aACXJ$2bicssc
072 7 $aHBJD$2bicssc
100 1 $aWeißbach, Angelika$4aut
245 10 $aFrühstück im Freien ? Freiräume im offiziellen Kunstbetrieb der DDR. Die Ausstellungen und Aktionen im Leonhardi-Museum in Dresden 1963 - 1990
260 $a$bHumboldt-Universität zu Berlin$c2009
300 $a373
520 $aThe Leonhardi-Museum in Dresden belonged to one of the most legendary exhibition centers / galleries for contemporary nonconformist art in the GDR. Its peculiarity was derived from the fact that the concept and organization of the exhibitions lay in the hands of the artists themselves ? who continually formed open ad hoc working groups (Arbeitsgruppe / AG) ? as well as the fact that it was not an unofficial or autonomous institution, but primarily a gallery belonging to the State Association of Artists in the Graphic Arts in the GDR (VBK) and later to the city council Dresden-East. This dissertation examines and documents more than 100 exhibitions and events held in the principal hall of the Leonhardi-Museum between 1963 and 1990. The majority were personal exhibitions by graphic artists, painters and sculptors which provoked attitudes and opinions, broadened viewing habits and which featured experiments which were stimulated by the dimensions of the room. Often it was the first opportunity at all for artists to exhibit. Especially the communal festivities and spectacular group exhibitions around the topics ?doors? and ?Alfresco Breakfast? made the Leonhardi-Museum famous both nationally and internationally. Ministry of ?Staatssicherheit? bans contributed to the increased popularity of the Leonhardi-Museum. Comparisons with similar official exhibition venues in Berlin (Lothar Lang?s Art-Cabinet, Gallery Arkade), Leipzig (Gallery on the Sachsenplatz, Herbstsalon), Karl-Marx-Stadt (Gallery Clara Mosch) and Dresden (Galleries Kunst der Zeit, Nord, Comenius and Mitte; Puschkinhaus, Lücke frequentor, Intermedia) demonstrate that the importance of the Leonhardi-Museum changed, but that for three decades it remained the only place in the GDR in which artists were able to use official structures for their art. In doing so they created scope for freedom for the graphic arts.
546 $aGerman.
650 7 $aArt & design styles: from c 1960$2bicssc
650 7 $aEuropean history$2bicssc
653 $abezirksausstellung dresden
653 $afreiraum
653 $adresden
653 $amalerei
653 $akünstlerplakat
653 $abildende kunst
653 $atür
653 $agdr
653 $agalerie-ost
653 $astaatlicher kunsthandel der ddr
653 $addr
653 $astadtbezirks-galerie
653 $adoor
653 $akulturbund
653 $averband bildender künstler der ddr (vbk)
653 $akunstausstellung der ddr
653 $agraphik
653 $askulptur
653 $aexhibition
653 $afrühstück im freien
653 $aausstellung
653 $ainstallation
653 $aposter
653 $aart
653 $aaktion
653 $aplakat
653 $aalfresco breakfast
653 $aartist
653 $agalerie
653 $agallery
653 $agenossenschaft bildender künstler
653 $aleonhardi-museum
856 40 $uhttp://www.oapen.org/download?type=document&docid=381343$zAccess full text online
856 40 $uAll rights reserved$zLicense