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MARC Record from marc_oapen

Record ID marc_oapen/oapen.marc.utf8.mrc:3258720:1682
Source marc_oapen
Download Link /show-records/marc_oapen/oapen.marc.utf8.mrc:3258720:1682?format=raw

LEADER: 01682 am a22002653u 450
001 1004693
005 20191216
007 cu#uuu---auuuu
008 191216s|||| xx o 0 u ita |
020 $a9789491914058
024 7 $a10.21983/P3.0228.1.00$2doi
041 0 $aita$aeng
042 $adc
072 7 $aABA$2bicssc
100 1 $aFernando, Jeremy$4aut
245 10 $aWriting Art
260 $aBrooklyn, NY$bpunctum books$c2015
300 $a124
520 $aWriting Art is an attempt to respond to the possibilities of art, the potentialities in art, to the possible event that art is. Keeping in mind that events are always already potentially beyond us, are quite possibly unknown, unknowable. In this book, Jeremy Fernando meditates on art through a response to specifics works, to the specificity of the craft, tekhn?, of each work; offering a reading of specific works of photography (Photovoice sg), poetry (Tammy Ho Lai-Ming), installation art (Charles Lim), film (Tan Chui Mui), conceptual art (ZXEROKOOL), and charcoal drawings (Yanyun Chen). Through writing. For, to write is always also to scribble, to scratch, tear, quite possibly open ? and perhaps more importantly, to open the possibility of a relation with another, to the unknowability that is the other. At the risk that this writing causes one to writhe, to be torn, to cry out; even if the very one is himself.
546 $aItalian.
546 $aEnglish.
650 7 $aTheory of art$2bicssc
653 $aliterary theory
856 40 $uhttp://www.oapen.org/download?type=document&docid=1004693$zAccess full text online
856 40 $uhttps://creativecommons.org/licenses/by-nc-nd/3.0/$zCreative Commons License