| Record ID | marc_oapen/oapen.marc.utf8.mrc:3954672:1921 |
| Source | marc_oapen |
| Download Link | /show-records/marc_oapen/oapen.marc.utf8.mrc:3954672:1921?format=raw |
LEADER: 01921 am a22003133u 450
001 1004323
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020 $a9780822370482
020 $a9780822371991
024 7 $a$2doi
041 0 $aeng
042 $adc
072 7 $aUG$2bicssc
245 10 $aDigital Sound Studies
260 $aDurham, NC$bDuke University Press$c20181001
520 $aThe digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume?s contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines?including rhetoric and composition, performance studies, anthropology, history, and information science?the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive.
536 $aKnowledge Unlatched$c102076$bKU Select 2018: HSS Frontlist Books
546 $aEnglish.
650 7 $aGraphical & digital media applications$2bicssc
653 $aMusic
653 $aSound Studies
653 $aDigital Humanities
653 $aDigital Pedagogy
653 $aMedia
653 $aTechnology
856 40 $uhttp://www.oapen.org/download?type=document&docid=1004323$zAccess full text online
856 40 $uhttps://creativecommons.org/licenses/arr/4.0/legalcode$zCreative Commons License