| Record ID | marc_oapen/oapen.marc.utf8.mrc:4289968:1655 |
| Source | marc_oapen |
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LEADER: 01655 am a22002413u 450
001 1004128
005 20190508
007 cu#uuu---auuuu
008 190508s|||| xx o 0 u eng |
020 $a9781574417340
020 $a9781574417456
024 7 $a$2doi
041 0 $aeng
042 $adc
245 10 $aYou Shook Me All Campaign Long
260 $a$bUniversity of North Texas Press$c20181115
520 $aMusic has long played a role in American presidential campaigns as a mode of both expressing candidates? messages and criticizing the opposition. The 2016 campaign was no exception and was a game changer. The ten chapters in this collection place music use in 2016 in historical perspective before examining musical messaging, strategy, and parody. The book ultimately explores causality: how do music and musicians affect presidential elections, and how do politicians and campaigns affect music and musicians? The authors explain this interaction from various perspectives, with methodological approaches from several fields, including political science, legal studies, musicology, cultural studies, rhetorical studies, and communications and journalism.
?The cumulative effect of the authors? expertise on campaign music makes this book a tour-de-force.??Nancy S. Love, author of Musical Democracy
536 $aKnowledge Unlatched$c102316$bKU Select 2018: HSS Frontlist Books
546 $aEnglish.
653 $aMusic
653 $aPolitical Science
856 40 $uhttp://www.oapen.org/download?type=document&docid=1004128$zAccess full text online
856 40 $uhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode$zCreative Commons License