MARC Record from marc_oapen

LEADER: 02345 am a22005053u 450
001 1003955
005 20200109
007 cu#uuu---auuuu
008 200109s|||| xx o 0 u ger |
020 $a9783876908700
024 7 $a10.3726/b12701$2doi
041 0 $ager
042 $adc
072 7 $aDN$2bicssc
100 1 $aReese, Hella$4aut
245 10 $aEin Meisterwerk im Zwielicht
260 $aBern$bPeter Lang International Academic Publishers$c2003
300 $a411
520 $aIvan Bunin's high opinion of his narrative "Temnye allei" (Paris, 1946) was rarely shared. In the field of view of the readers was too often the erotic topic - the criticism affected an unbiased reception of the book, whose coherence was only occasionally perceived. Abridged editions reinforced this effect in the episode. The study considers the "Temnye allei" for the first time in the interaction of external conditions and artistic intention, taking into account all simultaneously created, partly unpublished tales. The focus is on determining the genre of the book on the basis of extra and intratextlichen links such as structure, style and the central themes of love, death and memory. While a glance at the eventful history of its origins allows conclusions to be drawn about the book's intended construction, the critical examination of the history of editions and receptions illuminates the most diverse problems of acceptance in the perception of the book as a short prose link - and as Bunin's masterpiece.

546 $aGerman.
650 7 $aProse: non-fiction$2bicssc
653 $aLove
653 $adeath
653 $amemory
653 $aAblehnung
653 $aAkzeptanz
653 $aallei
653 $aBunins
653 $adie Funktion der Schauplätze
653 $aeine
653 $aExilliteratur
653 $aGenrestudie
653 $aIvan
653 $aKurzprosaverknüpfung
653 $aLiebe und Erotik
653 $aMeisterwerk
653 $anarrative
653 $aRealismus
653 $aReese
653 $aRezeptionsgeschichte
653 $aTemnye
653 $aZwielicht
653 $azwischen
856 40 $uhttp://www.oapen.org/download?type=document&docid=1003955$zAccess full text online
856 40 $uhttps://creativecommons.org/licenses/by/4.0/legalcode$zCreative Commons License