| Record ID | marc_oapen/oapen.marc.utf8.mrc:7215077:1635 |
| Source | marc_oapen |
| Download Link | /show-records/marc_oapen/oapen.marc.utf8.mrc:7215077:1635?format=raw |
LEADER: 01635 am a22003253u 450
001 1002474
005 20200109
007 cu#uuu---auuuu
008 200109s|||| xx o 0 u eng |
020 $a9781841506371
020 $a9781841505473
020 $a9781783200481
024 7 $a$2doi
041 0 $aeng
042 $adc
072 7 $aAN$2bicssc
100 1 $aKlaic, Dragon$4aut
245 10 $aResetting the Stage
260 $aBristol$bIntellect$c20120901
520 $aCommercial theatre is thriving across Europe and the UK, while public theatre has suffered under changing patterns of cultural consumption?as well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theatre to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly crowded market of cultural goods, public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic distinctiveness and the considerable benefit this confers on the public.
536 $aKnowledge Unlatched$c101235$bKU Select 2017: Backlist Collection
546 $aEnglish.
650 7 $aTheatre studies$2bicssc
653 $aArts
653 $aEuropean theatre
653 $apublic theatre
653 $atheatre market
653 $acommercial theatre
856 40 $uhttp://www.oapen.org/download?type=document&docid=1002474$zAccess full text online
856 40 $uhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode$zCreative Commons License