MARC Record from marc_oapen

LEADER: 02078 am a22003733u 450
001 1000515
005 20191017
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008 191017s|||| xx o 0 u eng |
020 $a9781138091511
020 $a9781138091528
020 $a9781315107981
024 7 $a$2doi
041 0 $aeng
042 $adc
072 7 $aC$2bicssc
072 7 $aD$2bicssc
072 7 $aJFD$2bicssc
100 1 $aBenthien, Claudia$4aut
245 10 $aThe Literariness of Media Art
260 $a$bTaylor & Francis$c2019
300 $a330
520 $a?Language can be this incredibly forceful material?there?s something about it where if you can
strip away its history, get to the materiality of it, it can rip into you like claws? (Hill in Vischer
1995, 11). This arresting image by media artist Gary Hill evokes the nearly physical force of
language to hold recipients in its grip. That power seems to lie in the material of language itself,
which, with a certain rawness, may captivate or touch, pounce on, or even harm its addressee.
Hill?s choice of words is revealing: ?rip into? suggests not only a metaphorical emotional pull but
also the literal physicality of linguistic attack. It is no coincidence that the statement comes from
a media artist, since media artworks often use language to produce a strong sensorial stimulus.
Media artworks not only manipulate language as a material in itself, but they also manipulate the
viewer?s perceptual channels. The guises and effects of language as artistic material are the topic
of this book, The Literariness of Media Art.
546 $aEnglish.
650 7 $aLanguage$2bicssc
650 7 $aLiterature & literary studies$2bicssc
650 7 $aMedia studies$2bicssc
653 $aMedia Art
653 $aliterary approach
653 $alanguage
700 1 $aLau, Jordis$4aut
700 1 $aMarxsen, Maraike M.$4aut
856 40 $uhttp://www.oapen.org/download?type=document&docid=1000515$zAccess full text online
856 40 $uhttp://creativecommons.org/licenses/by-nc-nd/4.0/$zCreative Commons License